The Areopagus or Mars Hill

Name : The Areopagus or Mars Hill or Hill of Ares; Areios Pagos

Location : Athens, Attica State, Greece

Features : Footsteps of Paul

Myth and Mystery :

According to Greek mythology, Ares was tried in a court of the gods on this hill for the murder of Poseidon's son Alirrothios. Another legend says that the hill was the site of the trial of Orestes for killing his stepmother and her lover, Clytemnestra and Aegisthus.

History :

In pre-classical times (before the 5th century BC), the Areopagus was the council of elders of the city, like the Roman Senate. Like the Senate, its membership derived from those who had held high public office, in this case that of Archon. In 462 BC, Ephialtes put through reforms which deprived the Areopagus of almost all its functions except that of a murder tribunal.

In classical times, the Areopagus functioned as the chief homicide court of Athens. At the foot of the Areopagus was a temple dedicated to the Erinyes, where murderers could find sanctuary.
In the Bible

The Areopagus, like most city-state institutions, continued to function in Roman times, and it was then that the Apostle Paul delivered his famous speech about the identity of "the Unknown God." According to the biblical account (Acts 17):

A group of Epicurean and Stoic philosophers began to dispute with him. Some of them asked, "What is this babbler trying to say?" Others remarked, "He seems to be advocating foreign gods." They said this because Paul was preaching the good news about Jesus and the resurrection.

Then they took him and brought him to a meeting of the Areopagus, where they said to him, "May we know what this new teaching is that you are presenting? You are bringing some strange ideas to our ears, and we want to know what they mean. (All the Athenians and the foreigners who lived there spent their time doing nothing but talking about and listening to the latest ideas.)

Paul then stood up in the meeting of the Areopagus and said: "Men of Athens! I see that in every way you are very religious. For as I walked around and looked carefully at your objects of worship, I even found an altar with this inscription: TO AN UNKNOWN GOD. Now what you worship as something unknown I am going to proclaim to you."

...When they heard about the resurrection of the dead, some of them sneered, but others said, "We want to hear you again on this subject." At that, Paul left the Council. A few men became followers of Paul and believed. Among them was Dionysius, a member of the Areopagus, also a woman named Damaris, and a number of others.



What to See ;

The Areopagus is a bare marble hill across from the entrance to the Acropolis. Its ancient marble steps can be slippery, especially in the rain. Wear appropriate shoes. Near the base of the stairs is a bronze plaque with the Greek text of Paul's sermon. At the top there are nice views of the Acropolis.

Website : http://www.sacred-destinations.com/greece/athens-areopagus-mars-hill

Erechtheum

Name : Erechtheum

Location : North side of the Acropolis of Athens in Greece

Architecture :

The temple as seen today was built between 421 and 407 BC. Its architect may have been Mnesicles, and it derived its name from a shrine dedicated to the legendary Greek hero Erichthonius. Some have suggested that it may have been built in honour of the legendary king Erechtheus, who is said to have been buried nearby. Erechtheus and Erichthonius were often syncretized. It is believed to have been a replacement for the Pesistratid temple of Athena Polias destroyed by the Persians in 480 BC.

The need to preserve multiple adjacent sacred precincts likely explains the complex design. The main structure consists of up to four compartments, the largest being the east cella, with an Ionic portico on its east end. Other current thinking would have the entire interior at the lower level and the East porch used for access to the great altar of Athena Polias via a balcony and stair and also as a public viewing platform.

The entire temple is on a slope, so the west and north sides are about 3 m (9 ft) lower than the south and east sides. It was built entirely of marble from Mount Pentelikon, with friezes of black limestone from Eleusis which bore sculptures executed in relief in white marble. It had elaborately carved doorways and windows, and its columns were ornately decorated (far more so than is visible today); they were painted, gilded and highlighted with gilt bronze and multi-colored inset glass beads. The building is known for early examples of egg-and-dart, and guilloche ornamental moldings.

Religious functions :

The Erectheum was associated with some of the most ancient and holy relics of the Athenians: the Palladion, which was a xoanon (defined as a wooden effigy fallen from heaven - not man-made) of Athena Polias (Protectress of the City); the marks of Poseidon's trident and the salt water well (the "salt sea") that resulted from Poseidon's strike; the sacred olive tree that sprouted when Athena struck the rock with her spear in her successful rivalry with Poseidon for the city; the supposed burial places of the mythical kings Cecrops and Erechtheus; the sacred precincts of Cecrops' three daughters, Herse, Pandrosus and Aglaurus; and those of the tribal heroes Pandion and Boutes.

The temple itself was dedicated to Athena Polias and Poseidon Erechtheus. Within the foundations lived the sacred snake of the temple, which represented the spirit of Cecrops and whose well-being was thought essential for the safety of the city. The snake was fed honey-cakes by Canephorae, the priestesses of Athena Polias, by custom the women of the ancient family of Eteoboutadae, the supposed descendants of the hero Boutes. The snake's occasional refusal to eat the cakes was thought a disastrous omen.

Late antiquity and the Middle Ages :

The intact Erechtheum was extensively described by the Roman geographer Pausanias (1.26.5 - 27.3), writing a century after it had been restored in the 1st century AD. The internal layout has since been obscured by the temple's later use as a church and possibly as a Turkish harem.

Modern Times :

One of the caryatids was removed by Lord Elgin in order to decorate his Scottish mansion, and was later sold to the British Museum (along with the pedimental and frieze sculpture taken from the Parthenon). Athenian legend had it that at night the remaining five Caryatids could be heard wailing for their lost sister. Elgin attempted to remove a second Caryatid; when technical difficulties arose, he tried to have it sawn to pieces. The statue was smashed, and its fragments were left behind. It was later reconstructed haphazardly with cement and iron rods.

Recent events :

The Caryatids have been transferred to the New Acropolis Museum. The first was carried over safely on December 9th, 2007, via an elaborate system of aerial cranes.

Within the new museum, the statue was reunited with its long-missing sandalled left foot, which was identified among rubble in the 1980s. The reassembled Caryatid, along with the four others remaining in Athens, is having its decayed patina thoroughly restored by laser, and is on display in the new museum.


Website :
http://en.wikipedia.org/wiki/Erechtheum

Barlaam Monastery - Greece

Name : Varlaam (Barlaam) Monastery

Location : Meteora, Thessaly, Greece

Legend : Varlaam Monastery, one of the monasteries of the Meteora, is named for the monk who first built a tiny chapel on this rocky promontory in the 14th century.

In the 16th century, two brothers from the monastery at Ioannina enlarged the chapel and founded the monastery. According to legend, they had to drive away the monster who lived in a cave on the summit before they could move in.

Description : Entry to the Varlaam (Barlaam) Monastery is quite easy. Safe, wide steps have been cut into the rock and it's not as far to climb as the steps to the Monastery of the Holy Trinity in Meteora. If you're not especially fit, then this is a good monastery to choose. Entry is by ticket; it cost us 2 Euros each at the door.

Women have to wear a skirt and cover bare arms. Trousers and short sleeved T-shirts not allowed. Skirts to below the knee seem to be preferred dress for women, Peasant style. Appropriate dress code for men is long trousers and a long sleeved shirt.

Entry for tourists is restricted to the church, a 2 room museum, and gift shop. The small museum has several historic treasures on display. There is a small collection of hand-written illuminated religious books, a cabinet of beautifully crafted and gold and silver communion goblets, heavily embroidered robes for special occasions, lecterns inlaid with ivory and mother of pearl, plus other religious items.

The adjoining bookshop sells a small selection of books in various common languages, about the history of Meteora, the Byzantine monasteries and the Orthodox faith.

The mountain range to the east and north of Meteora experiences baking heat in summer and severe cold in winter with heavy snowfalls.

Website : http://www.sacred-destinations.com/greece/meteora-varlaam-monastery.htm

Temple of Hephaestus and Athena Ergane

Name : The Temple of Hephaestus and Athena Ergane also known as the Hephaisteion or Theseion,

Location : It located at the north-west side of the Agora of Athens, on top of the Agoraios Kolonos hill

Legend : Hephaestus was the patron-god of metal working. Athena Ergane was the patron-goddess of pottery and crafts in general. There were numerous potter shops and metal working factories in the vicinity of the temple, justifying the dedication of the temple to these two deities.

Description : This is the best preserved ancient Greek temple. It is a Doric order peripteral temple. From the 7th century until 1834, it served as the Greek Orthodox church of St. George Akamates.

Construction : After the battle of Plataea, the Greeks swore never to rebuild their sanctuaries, destroyed by the Persians during their invasion of Greece, but to leave them in ruins, as a perpetual reminder of barbarian ferocity. The Athenians directed their funds towards rebuilding their economy and strengthening their influence in the Delian League. When Pericles came to power, he envisioned a grand plan for transforming Athens into the centre of Greek power and culture. The temple of Hephaestus in the Agora was meant to embody the richest evidence of Athenian tradition, conservatively in the Doric order and the full complement of carved metopes that had long been Athens’ pride on its conspicuous Treasury at Delphi.

Construction started in 449 BC, but the temple was not completed until 415 BC, presumably because emphasis shifted towards the monumental construction on the Acropolis, with funds and workers being redirected towards the Parthenon. The temple was officially inaugurated in 416-415 BC

The architect was one of the ones who helped on the Parthenon, Ictinus. The material used is Pentelic marble with the exception of the lowest step of the crepidoma which is from limestone and the decorative sculptures for which the more expensive Parian marble was chosen.

The building has a pronaos, a main room housing the cult images of the deities, namely a cella, and an opisthodomos. The alignment of the antae of the pronaos with the third flank columns of the peristyle is a unique feature of temple building at the middle of the 5th century BCE.

In the 3rd century BCE trees and shrubs (pomegranates, myrtle and laurel) were planted around the temple, creating a small garden.

In the 7th century CE, the temple was turned into a Christian church, dedicated to Saint George, and under this capacity it was used as a burial place for non-Orthodox Europeans.

Website : http://en.wikipedia.org/wiki/Temple_of_Hephaestus