Yaganti Uma Maheswara Swamy Temple & Agastiya and Venkateswara swamy Cave Temples

Name : Yaganti Uma Maheswara Temple

Location :

Yaganti is located in the Kurnool District in the state of Andhra Pradesh, India, approximately 100 km from the city of Kurnool and 75 kms from Tadipatri in the state of Andhra Pradesh. The temple is 14 km west of Banaganapalle (Mandal headquarters) on the Banaganapalle-Peapully road. This place is nestled in the middle of some hostile terrain like the the dry, rocky region of Erramala Hills.

Legend :
One story of the site's origin is as follows: The sage Agastya wanted to build a temple for Lord Venkateswara on this site. However, the statue that was made could not be installed as the toe nail of the idol got broken. The sage was upset over this and performed a penance for Lord Shiva. When Lord Shiva appeared, he said the place suits Shiva better as it resembles Kailash. Agastya then requested Lord Shiva to give the devotees a Parvathi Goddess as Lord Uma Maheswara in a single stone, which Lord Shiva obliged.

A second story is as follows: Chitteppa, a devotee of Lord Shiva, was worshiping Lord Shiva and Lord Shiva appeared to him as a tiger. Chitteppa understood that it was Lord Shiva in tiger form, and shouted Neganti Shivanu ne kanti (meaning: I saw Shiva I saw), and danced with joy. There is a cave called Chitteppa nearby.

Popular Beliefs :

Growing Nandi :
The devotees believe that the Nandi idol in front of the temple is continuously increasing its size. The locals say that the idol was initially much smaller than its present size. They say that certain experimentation was carried out on this idol and it was said that the type of rock out of which the idol is carved has a growing or enlarging nature associated with it. Archaeological Survey of India has confirmed that the idol increases by 1 inch in every 20 years. Experiment suggests that the rock used to make the idol exhibits a growing nature.

It is said that people used to do Pradakshinas (rounds) around it in the past. The temple staff has already removed one pillar as the size of the Nandi has increased.

According to Potuluri Veera Brahmendra swamy, the Basavanna (stone nandi) of Yaganti will come alive and shout when Kali Yuga ends.

Absence of crows

Legend has it that while the Sage Agastya was performing his penance, crows disturbed him and he cursed that the crows cannot enter the place. As the crow is the Vahana for Lord Shani, it is believed that Lord Shani cannot enter this place.

Description :

This temple was constructed by King Harihara Bukka Raya of the Sangama Dynasty of the Vijayanagara Empire in the 15th century. It was built according to Vaishnavaite traditions.

Sri Yaganti Uma Maheswara Temple is one of the few temples patronized by one of the great dynasties of India. Every year Maha Shivaratri is celebrated and a large number of devotees from all over Andhra Pradesh visit. Shiva, Parvati and Nandi are the main deities in this temple.This temple is 14 km away from Banaganipalli in kurnool dt. The saint lord Veerabrahmendra swami stayed here for some time and wrote Kalagnanam.

A feature of this temple is its Pushkarini, a small pond of water on the temple premises. Water flows into this Pushkarini from the bottom of hill through the mouth of a Nandi (bull). The water is fresh and sweet, as it comes from the hills. No one knows how the water reaches the pond all year round and this temple architecture in terms of its sculpture shows the skills of ancient Vishwakarma Sthapathis. Devotees find that a holy bath in Pushkarini is highly beneficial. After taking a bath in Pushkarini, they pay tributes to Lord Shiva.

The sage Agasthya bathed in Pushkarini and worshipped Lord Shiva.

Yaganti Caves :

Agastya Cave :

This is the cave where Agastya performed his penance for Lord Shiva. One can enter the cave by climbing 120 steep steps. An idol to Devi is installed and may be worshipped here.

Venkateswara Cave :
The damaged idol of Lord Venkateswara is present in this cave. Compared to Agastya cave it is easy to climb though the steps are steep. According to the story this idol was present in this cave before the Tirumala Venkateswara Temple was constructed. But as the idol is damaged near the foot, it could not be worshipped. Sri Sri Potuluri Veera Brahmendra Swami tells us in his Kala Gynanam that this place can stand as an alternative to Tirupati. This temple has very beautiful scenic locations nearby.

Veera Brahmam Cave :
This is the cave where saint Sree Potuluri Veera Brahmendra swamy wrote some of his Kala Gnaanam (prophecy). The height of the cave is less and one needs to bend half over to enter it.

Websites :
https://en.wikipedia.org/wiki/Yaganti

Panch Kedar Yatra (pilgrimage)

Panch Kedar (Sanskrit: पंचकेदार) refers to five Hindu temples or holy places of the Shaivite sect dedicated to god Shiva. They are located in the Garhwal Himalayan region in Uttarakhand, India. They are the subject of many legends that directly link their creation to Pandavas, the heroes of the Hindu epic Mahabharata.

The five temples designated in the strict pecking order to be followed for pilgrimage for worship are the Kedarnath (Sanskrit: केदारनाथ) at an altitude of 3,583 m (11,755 ft), the Tungnath (तुंगनाथ)(3,680 m or 12,070 ft), Rudranath (रुद्रनाथ) (2,286 m or 7,500 ft), Madhyamaheshwar (मध्यमहेश्वर) or Madmaheshwar (3,490 m or 11,450 ft) and Kalpeshwar (कल्पेश्वर) (2,200 m or 7,200 ft). The Kedarnath is the main temple, which is part of the four famous Chota Char Dhams (literally 'the small four abodes/seats') or pilgrimage centers of the Garhwal Himalayas; the other three dhams are the Badrinath, Yamunotri and Gangotri. Kedarnath is also one of the twelve Jyotirlingas


History

It is said that the Panch Kedar Yatra (pilgrimage) could be directly related to the Gorakhnath cult (recognized for their pilgrim traditions) of Nepal. As a proof, it is stated that the culmination of the pilgrimage was at Pashupatinath temple in Nepal, rightly where Lord Shiva’s head is worshipped and not at Kedarnath where the hump is venerated. A further supporting fact mentioned in this regard is that the emblem used in Kedarnath temple dome is the same as displayed in the Pashupathinath temple dome in Kathmandu.

Legends

Many folk legends related to the Garhwal region, god Shiva and the creation of the Panch Kedar temples are narrated.

The most famous folk legend about Panch Kedar relates to the Pandavas, the heroes of the Hindu epic Mahabharata. The Pandavas defeated and killed their cousins — the Kauravas in the epic Kurukshetra war. They wished to atone for the sins of committing fratricide (gotra hatya) and Brāhmanahatya (killing of Brahmins — the priest class) during the war. Thus, they handed over the reigns of their kingdom to their kin and left in search of the god Shiva and to seek his blessings. First, they went to the holy city of Varanasi (Kashi), believed to Shiva's favourite city and famous for its Shiva temple. But, Shiva wanted to avoid them as he was deeply incensed by the death and dishonesty at the Kurukshetra war and was, therefore, insensitive to Pandavas' prayers. Therefore, he assumed the form of a bull (Nandi) and hid in the Garhwal region.

Not finding Shiva in Varanasi, the Pandavas went to Garhwal Himalayas. Bhima, the second of the five Pandava brothers, then standing astride two mountains started to look for Shiva. He saw a bull grazing near Guptakashi (“hidden Kashi” — the name derived from the hiding act of Shiva). Bhima immediately recognized the bull to be Shiva. Bhima caught hold of the bull by its tail and hind legs. But the bull-formed Shiva disappeared into the ground to later reappear in parts, with the hump raising in Kedarnath, the arms appearing in Tunganath, the nabhi (navel) and stomach surfacing in Madhyamaheshwar, the face showing up at Rudranath and the hair and the head appearing in Kalpeshwar. The Pandavas pleased with this reappearance in five different forms, built temples at the five places for venerating and worshipping Shiva. The Pandavas were thus freed from their sins. It is also believed that the fore portions of Shiva appeared at Pashupatinath, Kathmandu — the capital of Nepal.

A variant of the tale credits Bhima of not only catching the bull, but also stopping it from disappearing. Consequently, the bull was torn asunder into five parts and appeared at five locations in the Kedar Khand of Garhwal region of the Himalayas. After building the Panch Kedar temples, the Pandavas mediated at Kedarnath for salvation, performed yagna (fire sacrifice) and then through the heavenly path called the Mahapanth (also called Swargarohini), attained heaven or salvation.[citation needed]

After completing the pilgrimage of Lord Shiva's darshan at the Panch Kedar temples, it is an unwritten religious rite to visit Lord Vishnu at the Badrinath Temple, as a final affirmatory proof by the devotee that he has sought blessings of Lord Shiva

Worship rights

The priests and pundits who worship in the Panch Kedar temples are from South India, except in Tungnath. Namboodiri brahmins hailing from Malabar, in Kerala officiate as chief priests at Badrinath temple and they are known by the name Rawals. Jangamas who are pure Lingayatisms from Chitrakal in Mysore are the chief priests at the Madhyamaheswar temple. Dasnami Gosains founded by Adi Shankaracharya are the chief priests in Rudranath and Kalpeshwar temples. The Tunganath temple is served by the Khasi Brahmins. In the case of Tungnath, it is also said that the local brahmins from Mokumath officiate as priests.

Kedarnath Teerth Purohit all Kedarnath Teerth Purohit (Panda) are the ancient brahmin of this himalaya region of Kedarkhand, these are there from the end of treta yug and start of kaliyug, when pandava came to himalaya for finding moksh, and then went to mahapanth, after their journey to mahapanth, their grandson King Janmejay came to Kedarnth and gave the right of worshiping of Kedarnath temple to these brahmins

THE TREK :

The total trek length to cover all the five temples of Panch Kedar is about 170 km (including road travel up to Gaurikund), involving 16 days of strenuous and rewarding effort. The trek starts from Gauri Kund, one of the picturesque spots, providing spectacular views of the Himalayan range of hills in the entire Garhwal region, comparable to the Alps. The trekking is undertaken during two seasons; three months during summer and two months after the monsoon season, as during the rest of the period, except Rudranath, the other four Panch Kedar temples are inaccessible due to snow cover.

The road from Rishikesh is the first entry point to Garhwal from the plains of Uttarakhand. Rishikesh is approachable from Delhi by road over a distance of 230 km. The road from Rishikesh leads to the Gaurikhund on the Rudraprayag–Kedarnath road from where the trekking would start to Kedarnath temple. The trek to Kedarnath is of 14 km, each way. After Kedarnath, road travel to Guptakashi and further to Jagasu covers a distance of 30 km. From Jagasu, the trek to Madhaymaheshwar temple via Gaundhar is over a distance of24 km (15 mi). This trek provides spectacular views of the Chaukhamba, the Kedarnath and the Neelkanth peaks. Returning from Madhyamaheshwar the road drive to Chopta via Jagasu is of 45 km. From Chopta, the trek is to the Tunganath temple over a distance of about 4 km. After the Tunganath trek, the drive along the road up to Mandal (known Cherrapunji of Garhwal due to heavy rainfall) is for a distance of8 km. From Mandal, the trek to Rudranath temple is of 20 km. After visiting Rudranath temple the return journey is to Mandal and the drive down by road to Helang. From Helang, the trek to Kalpeshwar temple is for 11 km via Urgam village and is considered strenuous due to the steepness of the route. After completing the pilgrimage trek of Kalpeswar temple, the last of the Panch Kedar temples, the return road drive from Helong to Riishikesh via Pipalkothi is a distance of 233 km.

Worship during winter season

During the winter period when the temples are inaccessible due to snowfall, the sanctified symbolic Shiva idol of Kedarnath is worshipped at the Omkareshwar temple at Ukhimath, the representational idol of Tunganath is worshipped at Mokumath, the Rudranath symbolic image is brought to Gopeshwar, and the Madhyamaheshwar symbolic idol is venerated at Ukhimath

Websites :

https://en.wikipedia.org/wiki/Panch_Kedar

1. Kalpeshwar
2. Rudranath
3. Madhyamaheshwar
4. Tungnath
5. Kedarnath 

Tibidabo Spain

Name : Tibidabo - Mountain where Jesus was first tempted by the Devil

Location :

A mountain overlooking Barcelona, Catalonia, Spain, Tibidabo stands more than 500 meters tall. The highest peak anywhere in the Serra de Collserola range, Tibidabo is home to an amusement park, a telecommunications tower, and Sagrat Cor, a Catholic church.

Legend :

Sagrat Cor is perhaps the most fitting of Tibidabo's attractions as this is the site where local legend says the devil tempted Jesus. The name Tibidabo derives from the Latin Vulgate Bible verses, Matthew 4:9 and Luke 4:6. The phrase, tibi dabo, means I will give to you. It was supposedly said to Jesus by the devil as they looked down from a mountain on the kingdoms of the world. The name of Barcelona's hill, then, refers to how it is the tallest anywhere around.

Description:

Designed by Enric Sagnier, the church took about 60 years to build. At the top of the church, Sagrat Cor, is a sculpture of the Sacred Heart by Josep Miret Llopart.

Tibidabo can be reached by a funicular railway, by bus, and by car. The railway, built in 1901, was the first of its kind in Spain. The amusement park is also the oldest of its kind in the area. Constructed in 1899, the park offers more than thirty different rides, some of them dating back many decades. A few of the original attractions are also still operating, including the Museu d'Autòmates (Mechanical Museum).

 

Websites :
http://www.atlasobscura.com/places/tibidabo

El Peñón de Guatapé

Name : El Penon de Guatape

Location :

La Piedra Del Peñol (Spanish for "The Rock of Guatapé"), also known as El Peñol Stone or simply La Piedra (Spanish for "The Stone"), is a monolithic formation located at the town and municipality of Guatapé, 1 km inside the city limits (86 km northeast of Medellín or 2 hours by bus) in Antioquia, Colombia.

History :

The wide Antioquian rock base, called "batlolito antioqueño", and the "Peñón" were formed millions of years ago.

The Tahamies Indians, former inhabitants of this region, worshiped the rock and called it in their language "mojarrá" or "mujará" (rock or stone).

Description :

This rock is located in the rural area called "La Piedra", just 5 minutes from the town of Guatapé, and can be reached by road.

On the northern face of the stone there are painted large white letters, "G", and an incomplete "U" (only the single vertical stroke was completed). Guatapé and El Peñol had long disputed ownership of the rock, and the residents of Guatapé decided to settle the matter by painting the town's name on the rock in huge white letters. It did not take long for the residents of El Peñol to notice the work, and a large mob was assembled to stop it. Only the "G" and part of the "U" were completed.

The rock was first climbed officially on July 1954. In 2006, Luis Villegas, Pedro Nel Ramírez and Ramón Díaz climbed the rock in a five-day endeavor, using sticks that were fixed against the rock's wall. (It is unknown whether the Tahamies had a way of ascending the stone.). Climbing the huge stone took five days, but the top of the rock revealed beautiful views and a new species of plant, Pitcairma heterophila. The rock soon became a modest tourist attraction.

A new species of plant was found on the top of the rock, subsequently named Pitcairma heterophila by a German scientist.

A viewing spot was built on top of the rock, where it is possible to acquire handicrafts, postcards, and other local goods. It is possible to see the 500 km shore-perimeter dam. There are 740 steps to the uppermost step atop the building at the summit, a fact reinforced by yellow numbers also seen in the climb up the stairs.

In the 1940s, the Colombian government declared it a "National Monument"

Composition :

The Stone of Peñol is composed of quartz, feldspar and mica. The rock, which is almost entirely smooth, has one long crack, the one that the climbers used in ascending it. In the crack was later wedged a 649-step masonry staircase, that appears like a giant stitch holding the split rock together, the only way to get to the top of the Piedra de Penol. In the 1970s, the area was dammed, and the view from the rock changed: It now overlooks a dramatic series of lakes and islands.

Today, you can ascend the rock (apparently owned by a local family, though also designated by Colombia as a "national monument") for 2 US dollars. There you'll find a few religious relics and a three-story lookout tower.

Websites :

http://www.atlasobscura.com/places/el-penon-de-guatape

https://en.wikipedia.org/wiki/El_Peñón_de_Guatapé

Wat Phrathat Doi Saket

Name : Wat Phrathat Doi Saket

Location
Wat Phrathat Doi Saket is located in the Doi Saket district, just outside the city of Chiang Mai. Travelling to the temple by motorbike or car will take approximately 30 minutes from the center of Chiang Mai. Doi Saket is located on the road north to Chiang Rai (Highway 118), just before the climb up the mountain on the right hand side. The Doi Saket district is predominantly a rural farming area, with plenty of rice fields in the valley as well as orchards and other farming on the mountainsides. Travelinasia have attached a map to this article showing how to get there from Chiang Mai.


History
The temple at Doi Saket is said to have been built in the year 1112. The legend is that the Lord Buddha had come to Doi Saket for a short time, and was visited by naka whom he offered his hair for the purpose of worship. Shortly after he is said to have dissapeared, and this is the reason for the location of the temple. Thai artist, "Khun Chaiwat Wannanon" began painting the interior of the temple walls with spiritual Buddhist murals in the early 1990s. It took over 4 years for the murals to be completed. This is something that is unique to the temple at Doi Saket. Normally modern art is not featured in Buddhist temples in Thailand, so this is somewhat unique to Doi Saket.

Modern Buddhist Paintings at Wat Phrathat Doi Saket : 
There are lot of beautiful modern paintings in this temple. Ryan Zander who resides in Chian mai describes the paintings in detail in his blog post http://siamandbeyond.com/modern-buddhist-paintings-wat-phrathat-doi-saket/

Description :

The temple at Doi Saket is similar to the Doi Suthep Temple, yet smaller in size. The temple’s chedi, or stupa, glistens in the sunlight with both gold and silver. It is actually composed of a building that you can enter with the dome mounted on top. Inside, you’ll find a passageway to circumambulate the sacred relics kept here.  The entrance to the temple (as is the case at Doi Suthep) has a steep set of stairs leading to the temple. The most prominent feature of the Doi Saket Temple is the giant golden sitting Buddha (Phra Buddha Pathimakorn), visible from the road leading to the temple. The interior walls of the temple are decorated with modern spiritual murals, painted by Khun Chaiwat Wannanon. There is also a monastic school located on the grounds of the temple. There is a Chinese-style pavilion containing a shrine to Guan-Yin, the Bodhisattva of Compassion. As the East Asian version of Avalokiteshvara, Guan-Yin is technically part of the Mahayana pantheon and doesn’t play any official role in traditional Theravada Buddhist practice. Yet, the influence of China upon Southeast Asia is so strong that you’ll find Guan-Yin at many Thai temples, where she’s worshiped just as much for good luck as she is for striving to accumulate virtue. The Chedi features the relics of Buddha and a Golden Umbrella.

Aerial Photos

Etiquette
When you visit any temple, or government office in Thailand, you are expected to dress appropriately. Proper dress includes wearing long pants or trousers, with a sleeved shirt as apposed to shorts and sleeveless shirts. Women should dress conservative, without displaying skin, short skirts and tank tops are frowned upon. You will also be asked to take off your shoes before entering the temple, you will see hundreds of peoples shoes in a pile at the entrance. Once inside the temple, you should make sure not to offend anyone, keep your voice down and try to not to cause any disruption to other people. There’s a cute little coffee shop near the parking area if you need a refreshment.

Photography
All the photos and video of the temple that you see in this article are taken by "Heli-Asia", using their remote controlled helicopter with remote camera mount. The helicopter traveled to over 100 meters above the highest point of the temple and hovered there using a sophisticated flight control system that allows the helicopter to remain at the same altitude for a long period of time. The camera mount is controlled remotely from the ground, and there is a live video feed showing the viewer of the camera. It takes 2 experienced technicians to operate the helicopter and the camera. Using a series of still photos taken at various different angles, Heli-Asia also created a spherical image of the temple, the temple grounds and the Doi Saket district.


Websites :

http://hubpages.com/travel/doi-saket

Wat Phrathat Lampang Luang, Thailand

Name :  Wat Phrathat Lampang Luang


Location: Lampang Luang, Ko Kha, Lampang 52130, Thailand
Contacts: +66-5428-1359

Legend :

The fame of the site, and its preservation throughout the centuries, is largely due to the belief that the historical Buddha visited here about 2,500 years ago and donated a lock of his hair, which is now enshrined in the pagoda.

Description :

Wat Phra That Lampang Luang is a remarkable example of an ancient temple that has the distinction of being one of the few unique temples where maintenance work has not been undertaken yet being well preserved. It maintains its originality with sand covered grounds and bricks exposing walls.

There are several bullet holes on the railing of the temple, reputed to be fired by legendary folk hero Nan Thipchang, and ancestors of the House of Chao Chet Ton (Seven Princes) which ruled Lanna as a Siamese Vassal during the Thonburi and Early-Mid Rattanokosin eras.


When approaching the site, the first impression it gives is the tall, imposing walls that surround the site. The temple is built on a tiny hilltop in the midst of rice field. It’s believed to have been constructed around 700 AD with Burmese connection as seen in the flights of steps going up adorned by multi-headed Naga.


The star attraction of the temple is the 45 meter high pagoda which is adorned by many differently shaped and crafted gold plates, that sets it uniquely apart from most of the pagodas that are gilded with gold paint. There are two shrines on the sides and a gorgeous prayer hall in front. However, there’s something magical about this temple that no one could explain—There’s a room located at the back diagonal direction of the Pagoda with a hole on the door. When the sun light shines through the pagoda, you will see an upside down image of the entire temple reflected on the wall through the hole, just like a naturally occurring pinhole camera image. Yet, there’s NO lense being installed in the hole!

Websites :

http://www.12fly.com.my/thailand/the-amazing-northern-thailand-lampang/