St. Mary's GunadalaMatha Shrine Vijayawada

Name :  St. Mary's  Gunadala Matha Shrine 

Location :

Gundala Matha Shrine, or Mary Matha Shrine, known popularly as St Mary’s Church, is constructed on a hilly region Gunadala in Krishna district near Vijayawada. An iron cross, erected atop the hill, stands as a rare distinction of the shrine.

Shrine History :

Mother Mary is said to have appeared on this hill as on 11th Feb.1858.

Description :

One of the most popular churches and pilgrim places for Christians in Andhra Pradesh, A shrine for the Christians situated in Gunadala, a hilly region of district Krishna at Vijayawada is the Mary Matha Shrine or Gunadala Matha Shrine and its more popular name, St Mary's Church. It has the rare distinction of having an iron cross set up on the hill top. 

It houses a museum having a collection of ancient holy relics and precious gifts of the followers. The shrine is filled on Sundays and other important festivals and occasions. The annual feast for Our Lady of Lourdes is celebrated with devotion and gaiety.its a famous pilgrimage place where people take the help of Mother Mary's prayers and lakhs of people come from all over places to worship, every February 9,10&11 more than 5 lakh people come to visit at the hill top.there are only steps way to go up the hill,and on the top there is a huge Jesus crucified statue

Annual Feast of Our Lady of Lourdes attracts many devotees and is celebrated with much enthusiasm and devotion. After getting their heads tonsured and breaking coconuts at the shrine, the devotees lined up to the grotto on the hillock to light candles.

The other side of extended gunadala hills haves historically important mogalrajapuram caves and a large statue of lord Shiva a top.

Gunadala Matha Festival

Gunadala Matha Festival was successful , more than 10 Lakh devotees attend this festival every year. Of those 10 Lakhs only 60% were Catholics means 4 lakh remaining people are mixed people from different religions ( Hindus, Muslims) and of course Protestants.

Ever year the Festival startes with Holy mass on 9th Feb at 6.30 AM and around 8.30 AM Adoration Started and will end on 11th Feb late night.

Many Religious ( Sisters , Priests, Deacons, Brothers, Seminary & Convent students) , General devotees from Vijayawada and other parts of AP also took part in this Adoration along with Jesus Youth of Vijayawada Diocese.

Contact : +91 9948695979, 0866-2450244

Websites :  http://www.gunadalamathashrine.com/

Church of Santa Maria Assunta, Positano

Name : Church of Santa Maria Assunta, Positano

Location :
Aalfi beach, Positano, Italy

Legend :

The Byzantine icon is surrounded by many popular traditions in Positano, including the miraculous arrival of the icon in town. In the 12^th-century, the icon was aboard a cargo ship that was stuck off the coast of Positano when the winds died. According to the legend, the sailors heard a voice calling, “Posa, posa!” (“Put me down, put me down!”) When the captain of the ship understood that the icon wanted to go to Positano, the winds picked up again immediately. The sailors brought the icon to shore and the people of Positano chose the Virgin Mary as their new patron saint. Inside the church to the right of the altar is a painting depicting the blessing of the icon, which you can also see through the arch to the left.

Another legend tells of the panel being stolen by pirates. When they tried to leave Positano's shores, a terrible sea arose preventing their passage.  From sea, they could hear the cry of "posa, posa," translating to "put it here."  The fearful pirates set the panel back on shore and the storm ceased, allowing them to flee the area.  The villagers built a church on the spot where the panel was returned and the town grew around it taking on the name Positano.

Description :

It is nearly impossible to descend to Positano's beach without landing first in front of the Santa Maria Assunta church.  The famously green tile domed church is the town's most famous icon and eagerly sought after by painters and photographers, as well as couples from all over the world seeking the perfect wedding photo backdrop.

The church's roots date back to the 10th century when it began as a Benedictine Abbey dedicated to San Vito.  It was later rededicated to the Virgin Mary in the 12th century when a Byzantine panel of the Virgin arrived and is seen placed above the church's altar.

The Positano landscape is mostly recognisable by this great shiny dome of the Chiesa di Santa Maria Assunta e Cripta Medievale, it looks picturesque and is the historic landmark in the heart of the Positano. The Chiesa di Santa Maria Assunta e Cripta Medievale probably dates back to the 10th century, the church is a typical example of the architecture found in this beautiful area, its interior is classical, white and gold, with a 13th century 'Black Madonna' icon above its altar with crypts below. During restoration works of the square and the crypt, a Roman villa was discovered; still under excavation, it is closed to the public. From the beach you can go up some stairs to the church and the views from the church are great. If you are coming from the main road by Sita bus then you have to walk down the hill for about 10-15 minutes.

Given its lovely setting right in the center of Positano, the Church of Santa Maria Assunta is one of the most popular locations for destination weddings on the Amalfi Coast. Couples travel from all over the world to marry in this beautiful church and have their wedding photos taken with Positano as a backdrop.

No visit to Amalfi can be considered complete without having enjoyed a stroll through the town's labyrinth of little lanes and alleyways or a trip to the Paper Museum, in Via delle Cartiere 24, in the historic Cartiera Milano.
The production of hand-crafted paper, known as bambagina, is one of the oldest of Amalfi's traditions and today remains part of the town's culture and identity.

Festivals :

During the festival for the Assumption of the Virgin on August 15th, the town of Positano celebrates their patron saint with processions recreating the arrival of the icon in town, special events in the church, celebrations for the Ferragosto holiday on the beach and a firework display after dark.

Websites :

http://www.charmingitaly.com/article/positano-santa-maria-assunta

https://www.tripadvisor.in/ShowUserReviews-g194863-d524955-r209711237-Chiesa_di_Santa_Maria_Assunta_e_Cripta_Medievale-Positano_Amalfi_Coast_Campania.html

Eremo di Santa Maria a Cetrella, Capri Italy

Name :  Eremo di Santa Maria a Cetrella

Location :

Eremo di Santa Maria a Cetrella ("Hermitage of the Holy Mother of Cetrella") is a church in Anacapri on the island of Capri, Italy. It is located on Mount Solaro's Cetrella region.

Legend :

1. " Cetrella ": We do not know exactly what this name comes from but two versions are credited. The first, probably the most well-founded, claims to come from a Caprese plant: cedronella. The second assumes that there was a Pagan temple dedicated to the goddess Cetera in the place where the church rises today. 

2. An image of St. Maria is conserved within the church. The icon was of particular importance to the sailors of Anacapri who used to climb up to the tiny church in pilgrimage to ask for the Madonna's protection before embarking on their, often perilous, voyages in search of coral.

Description :

The hermitage is located on a steep hill to the south. The whole complex lies in a small rocky cove. The hermitage of Cetrella is comprised of a small church, bell tower and sacristy with a low dome, which was added in the seventeenth century. The path to Cetrella is a track through the woods, so walkers will need to wear comfortable shoes and to carry a supply of water.

The hermitage develops on two floors: on the ground floor is the church with the refectory, the kitchen with some small rooms that were used as cellars. On the first floor, along a corridor leading to a terrace with wisteria pergola, we have 4 small rooms that were the brothers' cells. From one of these cells you access a second terrace. From these there is a particularly impressive view of the island's caprese: M. Grande, Monte Tiberio, M. Piccola with the Faraglioni. Moreover, the Sorrento Coast and, on clear days, also the Gulf of Salerno and the Amalfi Coast. Having days with a special visibility you can come to see the Inner Mountains of Salernitan and all the coast to the south to the Punta Licosa Lighthouse.

The easiest way to get to Monte Solaro is by chairlift. The journey to the summit of Capri's mountain takes just 12 minutes. Take the chairlift from Piazza Vittoria in Anacapri. The chairs on the chairlift are made for a single passenger. There is a safety bar, but it is easily lifted, so we do not recommend riding with very young or very active children on your lap.

  The church is made up of two aisles, both with an altar. The first, adjacent to the entrance, is the main one and is dedicated to the Blessed Virgin Mary. This altar is marble and was made from the hermit. At the top there is a niche in which is housed the statue of the Virgin sitting with the Child in her arms. The work dates back to the '600 Neapolitan and is made up of mixed materials including paper, cork and plaster. Behind this altar lies the seventeenth-century burial sacristy with a picturesque window opening on the farways.

The second altar is in masonry surmounted by a representative painting of San Domenico, a testimony to this that here the Dominican Friars lived between 1600 and 1700. In this regard, it is not possible to clarify whether there have been before the Dominican brothers or those Franciscans.

According to the great archaeologist Maiuri, the church dates back to the first half of 1300. Later in 1500, thanks to a legacy, it was restored and expanded with what is today the refectory, the kitchen and the cells.

In 1983, the artist Domenico Gentile, known anacaprian ceramic, gave a gift to the majolica church overlooking the entrance of the church, depicting the vow of the Blessed Virgin with the Hymn's background.

Festivals & Celebrations :

The church is consecrated and during the year there are celebrations. There is a retreat for the children of first communion; There are the meetings of the various parish groups; A day of prayer with all the island groups in July; August 10th is celebrated the Mass SS for tourists. In September, then, the virgin's birthplace is celebrated: the eight of this month with celebrations in the morning and in the afternoon, and for all Sundays of the month there is an SS Mass in the early morning. This is a meeting that many faithful are always attending to fill the church and outer space. In mid-October, the SS Fishermen's Mass is celebrated on the island.

During the year, the church also offers hospitality to groups of Boy Scout, accompanied by a spiritual assistant. Of course this can be done by agreement with the Parish of Anacapri and the guardian of the Hermitage.

Punta Cannone View Point :

The Punta Cannone viewing point can be reached from Capri's Piazzetta. From Anacapri, rather than wait for the buses at the crowded Piazza Vittoria stop, it is a good idea to walk to the previous stop, near the cemetery, or even take a taxi.

Once in the Piazzetta, climb up the steps leading to the old Cathedral of Santo Stefano and, from the Piazzetta Cerio (home to one of the island's most fascinating museums) head to the right and the Via Madre Serafina. This ancient vaulted alleyway which runs beneath the houses, passes by the Convent of Santa Teresa and the historic Taverna O'Guarracino.

The cloisters of the Convent of Santa Teresa, dating back to the late 17th century and accessed by an old flight of steps, are open to the general public, although maximum quiet is requested. At the center of the cloisters there is a well, which provided a vital source of drinking water., and a small citrus grove, a reminder of the islanders' passion for growing fruit. Above the portone the remains of an ancient fresco can still be seen.

One of the wells where rainwater is collected. This, cleaned every year, is primarily used to collect water for cooking and drinking. Water is drawn through a manual pump. On the left you can see the sideboard. On the right is the door to the garden

Having visited the cloisters, continue along Via Castello, all the way to the Punta Cannone viewing point, which, in the 19th century, was armed with canon and used as a sentry post by the occupying British troops. From here, a splendid view over Marina Piccola, the Faraglioni and Via Krupp can be seen.

One of the most beautiful shows that can be seen from the Hermitage, given its location, is to see the sun rising up that illuminates the Faraglioni and the island.


How to get there :

From Capri: starting from the "Due Golfi" (so called because from here the two roads leading to the two 'gulfs' of the island: Marina Grande and Marina Piccola), there is a path that climbs to the wall of the Mount leads almost under the Hermit. A spectacular walk, but also not to do it yourself and if you are inexperienced. From this trail you can enjoy the panorama of Capri and Marina Piccola in particular, so also of the view on the Faraglioni.

From Anacapri: Via San Michele starts a dirt road that soon turns into a mountain trail , and in about twenty minutes leads to the Hermitage.

From Anacapri: from P.zza Vittoria takes the chairlift (15 minutes to a maximum of 8-9 meters from the ground) leading to Monte Solaro (the highest point of the island at almost 600 meters above sea level). Here, following the signs in a further 15 minutes on foot, crossing a pleasant pine and chestnut grove, you reach the hermitage.
 
On both routes departing from Anacapri you have a great view over Anacaprian old town.

Websites :

http://www.cetrella.it/

St. Thomas Mount, Chennai

Name :  Church of Our Lady of the Mount

Location :

St. Thomas Mount (known in Tamil as Parangimalai) is a small hillock located in Chennai, Tamil Nadu, India, near the neighbourhood of Guindy and very close to Chennai International Airport.

The neighbourhood is served by the St. Thomas Mount railway station on the southern line of the Chennai Suburban Railway Network. Integration of the Metro and MRTS with the suburban station in the neighbourhood, is expected to make the suburb the city's largest transit hub after Chennai Central.

Legend :

According to tradition, the Cross chiselled on a stone of this hill by St Thomas himself and used by him for his personal prayer gave strength to him when he was pierced from behind with a lance as he was praying before it. It is believed that the Cross should have been stained with the blood of the Martyr. This Cross was accidentally discovered later by the Portuguese when they dug the foundations for the new Church in 1547.

According to ancient records, this Cross sweated blood during the Holy Mass celebrated by Fr. Gasper Coelho on the 18th December 1558. In the early years, this Cross used to sweat blood every year, then every two or three years and, later, at longer intervals. The last occasion on which it was found sweating blood was in 1704.

Popular faith says that innumerable miracles of cures were attributed to this sacred stone cross through mere contact with it in faith and it has roused the conversion of many unbelievers. Even today the natural dampness on its surface is a perennial factor of surprise and devotion. The image of the Cross itself is unique

It was in 1908 after much disputation that the inscription around the cross was deciphered as: "Through the Cross, the Messiah borught salvation to the world".

As per tradition, the oil painting of the Madonna of the Blessed Virgin was painted by St Luke the Evangelist on wood and was brought here by St Thomas and used by him for prayer. Hence it is popularly known as the "Scapular of St Thomas.".

In "Tombs and Descriptions in the Madras Presidency" ( A Government Publication ), Mr. J. J. Cotton says : "This is a picture painted by St Luke who was an artist. The Virgin died when Thomas was away and on his return he had the tomb opened in order that he might once more look upon her. It was found that the body had been miraculously removed and Thomas was so disturbed that St. Luke offered to paint him a portrait of the Virgin as a consolation. This portrait St. Thomas carried with him on all his wanderings".

The first written account of this painting is made in 1559 when the King of Bisnaga took it to his Court in Chandragiri and later returned it in a palanquin to the Mount.

The wear and the warp of this sacred species are explained by the efforts of the people down the ages to bury and hide it in order to protect it from the onslaught of the invading enemies.
However the Madonna is considered to be one of the oldest and most venerated paintings in India and countless favors and blessings have been recorded by devotees who have stood and prayed before it.

Description :

The ancient Syrian Christian community of India trace the origin of their church to St. Thomas the Apostle, believed to have been martyred in St. Thomas Mount . The altar of this Shrine was built on the spot, where St.Thomas was martyred in 72 AD.  The St. Thomas Garrison Church is located at the bottom of St Thomas Mount. The St. Thomas Syro Malabar Catholic church is located east of the shrine at North Silver Street , foot holds of the mountain Shrine.

A shrine dedicated to "Our Lady of Expectation" (Mother Mary) was built in 1523 on top of the mount. An Arch inside the church bears the title in Portuguese: "Senhora da Expectacao" (Our Lady of Expectation) with the year of its construction 1523.   At the northern foot of the mount, is a gateway of four impressive arches surmounted by a cross bearing the inscribed date 1547. A flight of 160 steps leads up to the summit of the mount. There are 14 stations of the cross erected on the way to the summit.

History :

The Mount was a grant to the church by the Kings of Bisnaga, or Vijayanagar, who called the place in Telugu "Fringy Kondah" meaning "European Hill" The Portuguese called the place Monte Grande (Big Mountain)

St Thomas Mount is a Holy place of international prominence, historical eminence, religious glory and tourist attraction.The ancient Church on the top of St. Thomas Mount has served as the light house for the Portuguese and Armenian ships and vessels in the Bay of Bengal in the 16th and 17th centuries. Interestingly, it is said, when sailors sighted the Church they offered prayers for a safe Voyage and then discharged from their artillery in salutation.

The Mount of Saint Thomas is easily accessed by the devotees who make the vowed climb through the 134 granite steps as an act of penance and sacrifice. An ornate arch with an imposing elegance remains an attraction to all those who happen to glimpse it with a note of the year of its construction, 1726.

The Armenian merchants of old were great benefactors of many Catholic Churches in and near Madras. Petrus Uscan was the greatest among them. He built a brick paved road with granite steps at intervals flanked by a double wall leading from the road below to the top of the mount. In his foresightedness, he also left a sum of money with the Administrator-General of Madras for the upkeep of these steps.

To make possible for modern vehicular traffic fully asphalted road laid by the military from the south- western base of the hill right upto the top in 1962.

The fifteen Stations of the Cross adorn the sides of the steps. The minute precision with which the figures have been moulded and the heaviness of the rare metal used in them add colour and life to the scenes of the Stations of the Cross along the steps of the Mount.They are spots of inspiration and they spiritually dispose the pilgrims who climb the steps for an eventual spiritual experience on the hill top Every year during Lent thousands of people flock the hill to make their Stations of the Cross with the help of these depictions. The annual mammoth gathering of people for the Mass celebrated by the Bishop on the Palm Sunday evening is the culmination of their Lenten pilgrimage.

Fr.Gaspar Coelho, Vicar of the Church in Mylapore in 1545 records that one Diego Fernandes, a Portuguese, built a small oratory on top of the hill over the foundation of a very ancient church in 1523 AD. The spot was already a place of pilgrimage.

Since this oratory dedicated to the Mother of God was very small and since the number of pilgrimage was increasing, Fr. Coelho laid the foundation for a bigger church on March 23, 1547 and completed the existing church within a year. It was then known as the Church of Our Lady of the Mount.

 Fr. Gaspar Coelho, who had built the church was buried in it and there is an inscription over his grave at the very entrance of the church.

The welcoming gate of the Hill Shrine with its Indian lamp conveys the message that Jesus Christ is the Light of the World. The two lampstands with seven wicks each symbolize the witnessing life and death (Rev 11:4) of the Prophet Martyrs like StThomas. An osmosis of light at the entrance reminds us that a city built on the hill top cannot be hidden (Mt 5:14) but that it will shine.

The shrine church entombs a piece of the Bone of St Thomas casketed in a beautifully ornamented monstrance. People have witnessed to many miracles that have been effected through the efficacy of this holy relic.

This Sanctuary is said to be the spot where St Thomas was martyred. Any one standing on this surface will certainly feel the vibrations of the hidden current that floods this main altar area. The excellent artistic background elevates the inner soul.

The framed oil painting of St Thomas being pierced with a lance from behind in his praying posture on the wall behind the high altar is the high point of awe and devotion for all who climb the hill to reach this sanctuary.

The artistic finale exhibited in the attractive wooden podium of the fifteenth century is a monumental piece of ancient art. It bespeaks the importance attached to the Breaking of the Word in the liturgy of the early centuries. The ornamental wood carving in unison with the main altar is a banquet for the eyes of the beholder. This is another gift of Petrus Uscan. The Italian marble laying, the dim lighting effects, the antique hanging lamp, and the Portuguese styled ancient altar add to the serenity of the place and the sanctity of the Chapel.

The votive shrine that shelters the colourful Statue of Our Lady in the sitting posture is of a later fashioning and it exhibits a graceful look and maternal benevolence.

The huge framed paintings of antiquity screening before us the images of the twelve Apostles and that of Christ and of St. Paul are marvelous treasures of art and faith. They not only adorn the church but they also elevate our spirits. Though such pictures of the Apostles are common in the great Basilicas of the West, the uniqueness of these consists in their miniature picturesque information about the way in which each of the Apostles glorified their Master in their final offering.

The open air stage meant for public worship and the grilled open space provide an exquisite sight of the whole city of Chennai. The presence of a huge banyan tree and a green peepul/ pipal tree on the Hill is a natural gift to the seekers since both the trees are a rare sacred species in the Indian context.

Festivals :

+Every year the 18th December has become the Annual Feast Day of this Shrine Chapel, which is celebrated with function and devotion.

Timings :
This Adoration Chapel is kept open everyday from 7.00 a.m to 7.00 p.m

Websites :

http://www.stthomasmount.org/

Tibidabo Spain

Name : Tibidabo - Mountain where Jesus was first tempted by the Devil

Location :

A mountain overlooking Barcelona, Catalonia, Spain, Tibidabo stands more than 500 meters tall. The highest peak anywhere in the Serra de Collserola range, Tibidabo is home to an amusement park, a telecommunications tower, and Sagrat Cor, a Catholic church.

Legend :

Sagrat Cor is perhaps the most fitting of Tibidabo's attractions as this is the site where local legend says the devil tempted Jesus. The name Tibidabo derives from the Latin Vulgate Bible verses, Matthew 4:9 and Luke 4:6. The phrase, tibi dabo, means I will give to you. It was supposedly said to Jesus by the devil as they looked down from a mountain on the kingdoms of the world. The name of Barcelona's hill, then, refers to how it is the tallest anywhere around.

Description:

Designed by Enric Sagnier, the church took about 60 years to build. At the top of the church, Sagrat Cor, is a sculpture of the Sacred Heart by Josep Miret Llopart.

Tibidabo can be reached by a funicular railway, by bus, and by car. The railway, built in 1901, was the first of its kind in Spain. The amusement park is also the oldest of its kind in the area. Constructed in 1899, the park offers more than thirty different rides, some of them dating back many decades. A few of the original attractions are also still operating, including the Museu d'Autòmates (Mechanical Museum).

 

Websites :
http://www.atlasobscura.com/places/tibidabo

Manti Utah temple

Name : Manti Utah Temple

Location :

It is located in the city of Manti, Utah, it was the third LDS temple built west of the Mississippi River after the Mormons' great trek westward. (The St. George and Logan Utah temples preceded it.)

Description :

The Manti Utah Temple (formerly the Manti Temple) is the fifth constructed temple of The Church of Jesus Christ of Latter-day Saints (the Mormons). The Manti Utah Temple was designed by William Harrison Folsom, who moved to Manti while the temple was under construction. The temple dominates the Sanpete Valley, and can be seen from many miles. Like all LDS temples, only church members in good standing may enter. It is one of only two remaining LDS temples in the world where live actors are used in the endowment ceremonies (the other is the Salt Lake Temple); all other temples use films in their rituals.

History

The decision to build an LDS temple in Manti was announced on June 25, 1875 by Brigham Young. The Salt Lake Temple was announced years before in 1847, but construction was still underway and not finished until 1893. The Manti Temple was built, along with the St. George and Logan temples, to satisfy the church's immediate need for these structures. The site for the temple was the Manti Stone Quarry, a large hill immediately northeast of town. Early Mormon settlers in the area had prophesied that this would be the site of a temple. When Brigham Young announced the building of the temple, he also announced that the 27-acre (110,000 m2) plot would then be known as "Temple Hill."

The temple was completed in 1888, and a private dedication was held on May 17, 1888, with the prayer given by Wilford Woodruff. Three public dedications were held on May 21–23, 1888, and were directed by Lorenzo Snow.

The Manti Temple was the location of the Holy of Holies until the Salt Lake Temple was dedicated. The room was then used for sealings until it was closed in the late 1970s.

Renovations

The Manti Temple has undergone various remodeling and renovations. Construction of a great stone stairway leading up the hill to the west temple doors began in 1907. In 1935, the temple was fully lit at night for the first time. In 1940 the stone stairs were removed and work began to beautify the grounds. Between 1944 and 1945 the annex, chapel, kitchen, Garden Room, and men’s and women’s areas were remodeled. There was once a tunnel beneath the east tower of the temple through which wagons and cars could pass, but it was closed off in the 1960s.

In 1981 church officials decided that the interior of the temple needed extensive remodeling. The renovation took four years, during which murals and original furniture were restored, offices were enlarged and remodeled, a separate door was made to the baptistry, water and weather damage were repaired, an elevator was installed, and locker rooms were improved among many other projects. In June 1985, Gordon B. Hinckley directed the rededication ceremonies.
Style

The Manti Temple combines the Gothic Revival, French Renaissance Revival, French Second Empire, and Colonial architectural styles. The temple has 100,373 square feet (9,325.0 m2) of floor space, eight sealing rooms, four ordinance rooms, and a Celestial room. The exterior is made of fine-textured, cream-colored oolite limestone from quarries in the hill on which the temple now stands. The two towers of the temple are 179 feet (55 m) tall, and the open center spiral staircases inside the towers are marvels of pioneer ingenuity.

Website :

http://en.wikipedia.org/wiki/Manti_Utah_Temple

Gergeti Trinity Church (Tsminda Sameba)

Name : Gergeti Trinity Church

Location :

Gergeti Trinity Church (Georgian: წმინდა სამება - Tsminda Sameba) is a popular name for Holy Trinity Church near the village of Gergeti in the Georgia. The church is situated on the right bank of the river Chkheri (the left tributary of the river Terek), at an elevation of 2170 meters, under Mount Kazbegi.

Description :

The Gergeti Trinity Church was built in the 14th century, and is the only cross-cupola church in Khevi province. The separate belltower dates from the same period as the church itself. Its isolated location on top of a steep mountain surrounded by the vastness of nature has made it a symbol for Georgia. The 18th century Georgian author Vakhushti Batonishvili wrote that in times of danger, precious relics from Mtskheta, including Saint Nino's Cross were brought here for safekeeping. During the Soviet era, all religious services were prohibited, but the church remained a popular tourist destination. The church is now an active establishment of the Georgian Orthodox and Apostolic Church

The church is a popular waypoint for trekkers in the area, and can be reached by a steep 3 hour climb up the mountain, or around 30 minutes by jeep up a rough mountain trail.

Website :

http://en.wikipedia.org/wiki/Gergeti_Trinity_Church

Bagrati Cathedral

Name : Bagrati Cathedral

Location :

The Cathedral of the Dormition, or the Kutaisi Cathedral, more commonly known as Bagrati Cathedral is the 11th-century cathedral church in the city of Kutaisi, the region of Imereti, Georgia.


Decsription :

The Bagrati cathedral, now in ruins, is regarded as a masterpiece in the history of medieval Georgian architecture.

A distinct landmark in the scenery of central Kutaisi, the cathedral rests upon the top of Uk’imerioni Hill. It was built in the early years of the 11th century, during the reign of King Bagrat III due to which it was called “Bagrati” Cathedral, i.e., Bagrat’s cathedral. An inscription on the north wall reveals that the floor was laid in “chronicon 223″, i.e., 1003. In 1692, it was devastated in an explosion by the Ottoman troops, which had invaded the Kingdom of Imereti. The incident caused the cupola and ceiling to collapse leaving the cathedral in its present state.

The conservation and restoration works, as well as archaeological studies, which began in 1952, are still underway. In 1994, the Bagrati Cathedral, together with the Gelati Monastery, was included in the UNESCO World Heritage Site list as a single entity. In 2001, the cathedral was restored to the Georgian Orthodox Church. It is now of limited use for worship services, but attracts many pilgrims and tourists. It is also frequently used as a symbol of the whole city of Kutaisi, being one of its main tourist attractions..

Websites :

http://tushetiland.ge/?cat=23&paged=2

Devasahayam Pillai Mount

Name : Devasahayam Pillai Mount

Location :

Devasahayam malai is 8 km north of nagercoil and situated on the Nageroil - Thirunelveli highway in Tamilnadu, India

Legend and beliefs :


Devasahayam Pillai was an 18th century convert from Hinduism to Christianity in the southern part of India.He may have been an official in the court of the Travancore king, Maharaja Marthanda Varma, during which time he came under the influence of the former Dutch naval commander, Captain Eustachius De Lannoy.
He is believed by Roman Catholics to have been martyred. In 2004, the Tamil Nadu branch of the Catholic Bishops' Council in India recommended Devasahayam Pillai for the process of beatification to the Vatican.This led to arguments as some Hindus believe that there is no evidence of religious persecution in Travancore during that period, and that Pillai was executed for sedition

Early Life :

Devasahayam Pillai (named Neelakanta Pillai at birth) was born into an affluent Nair-caste family at Nattalam in the present-day Kanyakumari District, on 23 April 1712.His father Vasudevan Namboodiri, hailed from Kayamkulam, in present-day Kerala state, and was working as a priest at Sri Adi Kesava Perumal temple in Thiruvattar in present-day Kanyakumari district of Tamil Nadu. In the Nair matriarchal traditions of the day, Devasahayam Pillai was raised-up by his maternal uncle, and was inculcated with Hindu beliefs and traditions early on. Devasahayam’s family had much influence in the royal palace of Maharaja Marthanda Varma, king of Travancore, and Devasahayam went into the service of the royal palace as a young man. His capabilities and enthusiasm did not go unnoticed in the palace, as he was soon put in charge of state affairs as an official under Ramayyan Dalawa, the Dewan of Travancore.

Conversion  to Christianity :


In 1741, Captain Eustachius De Lannoy, a Dutch naval commander, was sent on command of a Dutch naval expedition by the Dutch East India Company to capture Colachel, a port under the control of Travancore. In the battle (Battle of Colachel) that followed between the Travancore forces and De Lannoy’s men, the Dutchmen were vanquished. Many Dutchmen, including De Lannoy and his assistant Donadi.
De Lannoy and the Dutchmen were later pardoned by the king, on condition that they serve in the Travancore army. De Lannoy later earned the trust of the king and went on to become the commander of the Travancore armed forces, winning many battles and annexing various adjacent territories to Travancore.
It was during their influential roles under the King of Travancore that Devasahayam Pillai and De Lannoy became well acquainted. De Lannoy’s Christian faith interested Devasahayam and De Lannoy enlightened him on the faith, leading to his conversion in 1745.

On Devasahayam’s acceptance of the Christian faith, he was baptized at the church at Vadakkankulam village (in the present Tirunelveli District of Tamilnadu), where the Jesuits had a mission under Rev. Fr.R.Battari Italus S.J. Neelakanda Pillai, his name at birth, was then changed into Devasahayam (means God's help in Tamil/Malayalam for Lazarus) after receiving baptism.

Orders based on accusations and charges :

Roman Catholic sources allege that the Brahmin chief priest of the kingdom and members of the royal household and the Nair community brought false charges on Devasahayam to the Dewan, Ramayyan Dalawa, and that Devasahayam was divested of his portfolio in the administration and was later accused of treason and of divulging state secrets to rivals and Europeans. He was initially ordered to be taken on a buffalo to Kuzhumaikkad, where he would be executed and finished-off. But the original Royal order was altered later several times to finally to be taken on a buffalo back to Aralvaimozhy border for a meaningful punishment of banishment after carrying out a series of tortures by ten different karyakkars on the advice of ministers.

Other traditions and beliefs :


Devasahayam was marched to Aralvaimozhy by soldiers, over the period of a few days. As was customary in those days for very cruel criminals, his body was painted with red and black spots, and he was intentionally marched through populated areas, sitting backward on top of a water buffalo (the mythical vehicle or vahana of Yama, the lord of death in Hinduism) throughout South Travancore from Padmanabhapuram palace. On the way en-route, he was daily beaten with eighty stripes, pepper rubbed in his wounds and nostrils, exposed to the sun, and given only stagnant water to drink.

While halting at Puliyoorkurichi, not far away from the Padmanabhapuram Palace of the Travancore king, it is believed by Christians that God quenched his thirst by letting water gush through a small hole on a rock, the very place where he knelt to pray. The water hole is still to be found in the compound of a church at Puliyoorkurichi, about 15 km from Nagercoil.

It is also believed that the leaves of a neem (Margosa) tree in the village of Peruvilai, to which he had been tied while being marched to Aralvaimozhy, cured illnesses of sick people in the village and around. Many more miracles are attributed to Devasahayam Pillai.

Death :

In 1752, the original order of the King and his Dewan was to deport him from Travancore, into the Pandya country, at Aralvaimozhy. He was let off in the forested hills near Aralvaimozhy. There, he is believed to have begun deep meditations, and the people from the adjacent villages began visiting the holy man. Christian sources allege that at this time, high caste Hindus plotted to do away with Devasahayam.

Some people believe that the soldiers went up the forested hills and tried to shoot Devasahayam, but were unable to fire; after which he took the gun in his hands, blessed it and gave it back to the soldiers to shoot him to death, if they wished to. The soldiers took the gun back and fired at him five times. His body was then carelessly thrown out near the foothills at Kattadimalai.

It was at Kattadimali in Kanyakumari district that Devasahayam Pillai died on 14 January 1752. His mortal remains were interred near the altar inside St. Xavier's church, Kottar, which is a Cathedral now in Nagercoil.

In 1780, Kariattil Ouseph Malpan submitted a petition to the Vatican for canonization of Devasahayam Pillai.
At the beginning of the 21st century, many Christian devotees started offering prayers at his tomb. After a series of initiatives and much deliberation, the Catholic Bishops' Conference of India (CBCI), Tamil Nadu council, later in 2004, duly recommended his beatification, following scrutiny of available historical evidence, in consultation with others.

Devasahayam Pillai is now considered one of the endless list of servants of God.



Places of Interest :


Devasahyam Pillai is believed to be buried in the Cathedral of St. Francis Xavier at Kottar in Nagercoil.
Devasahyam Pillai’s clothes and other belongings are kept in a church in the small town of Vadakkankulam, in Tirunelveli District of Tamilnadu State, India. They are exposed at the church on 15 August every year, the feast of the Assumption of Mary. His wife was buried in the cemetery there.

Puliyoorkurichi, location of the water fountain believed to have quenched Devasahayam’s thirst, is on the Nagercoil - Trivandrum highway.

Aralvaimozhy, where Devasahayam was killed, is also on the Nagercoil - Tirunelveli highway. At that spot on the hillock (called Kaattadimalai), devotees believe that at the moment of martyrdom, most of the rocks
were broken into pieces and one piece that fell down rang like a church bell. This is called the Bell Rock.

It is still there and when striked with a stone it makes Bell sound. It is believed to cure diseases and give answers for prayers of the devotees void of religion. So people come here every Friday to offer their prayers at the Bell rock.

Websites :


http://en.wikipedia.org/wiki/Devasahayam_Pillai

http://incrediblekumari.blogspot.com/2008/12/devasahayam-pillai-mount-3.html

Basilica of St. John, Ephesus

Name : Basilica of St. John, Ephesus

Location :

The basilica is on the slopes of Ayasoluk Hill near the center of Selçuk, Izmir Province in Turkey.

Legend :

It is believed that the Apostle John fled from Jerusalem to the city of Ephesus where he remained for the rest of his life and it is also where he wrote his gospels as well as receiving the last Revelation of Jesus and wrote the Apocalypse.

During his time and until his death in Ephesus, Apostle John preached about Christianity. According to legend, before he died, Christ, along with all the other apostles, visited Apostle John and said to him:
Legend had it that John wrote his gospel in Ephesus at the request of other disciples, then died in the church named for him on Ayasoluk Hill. Later legends developed that he was not really dead, but sleeping, and dust could even be seen moving above his grave as he breathed.

The 13th-century Golden Legend narrates John's death as follows:
According to Isidore, when John was 98 years old, that is, in the 67th year after the Lord's passion, the Lord appeared to him with his disciples and said: 'Come to me, my beloved: it is time for you to feast at my table with your brothers!' John rose and was about to go, when the Lord added: 'You will come to me on Sunday.'

When Sunday arrived, all the people gathered in the church that had been built in his name, and John preached to them at cockcrow, exhorting them to be steadfast in the faith, and zealous in carrying out the commandments of God. Then he had them dig a square grave near the altar and throw the earth outside the church.

He went down into the grave and, with arms outstretched to God, said: 'Lord Jesus Christ, you have called me to your feast: here I am, and I thank you for deigning to invite me to your table. You know that I have longed for you with all my heart!' When he had said this, he was surrounded by a light so brilliant that he was lost to human sight. Then, when the light faded, the grave was found to be full of manna. This manna is still produced there to this day, and it covers the floor of the grave, looking rather like the fine grains of sand at the bottom of a spring.. Because of this, the dust, called manna, was said to be able to cure the sick.

Miracle and flasks :  

The tomb itself acted upon its miracle every year on the 8th of May, during an all night-festival in honor of St. John, for nearly a thousand years, prompting many pilgrimages throughout the medieval period.

The pilgrims who journeyed to Ephesus did not leave empty-handed. Flasks were produced at St. John’s tomb for the pilgrims. These flasks usually had the Saint’s image designed on to it as well. They were used to collect the dusts that would appear around St. John’s tomb, which was then carried back to the pilgrims respective homeland where it was said to have performed miracles by curing sickness and even calm storms on land or sea.

Description :

The Basilica of St. John (St. Jean Aniti) was a great church in Ephesus constructed by Emperor Justinian in the 6th century. It stands over the believed burial site of St. John, who is identified as the apostle, evangelist (author of the Fourth Gospel) and prophet (author of Revelation).
The basilica is on the slopes of Ayasoluk Hill near the center of Selçuk, just below the fortress and about 3.5 km (2 miles) from Ephesus.

St. John's grave was marked by a memorial and enclosed by a church of modest proportions in the 4th century. In the 6th century, Emperor Justinian (527-65 AD) believed that a tomb dating from the 300s was John's, so he built a magnificient church on the site dedicated to the saint.

The traditional tomb of St. John, located under the main central dome, elevated the site to one of the most sacred sites in the Middle Ages and thousands made pilgrimage here.

But with the decline in importance of Ephesus and after Arab raids, the basilica fell into ruins until the Seljuk Aydinoglu clan converted it into a mosque in 1330. The building was then completely destroyed in 1402 by Tamerlane's Mongol army.

The ruined church was thereafter pillaged for building materials, but recent restoration enables visitors to understand its size and visualize its former splendor.

Websites :

http://www.sacred-destinations.com/turkey/ephesus-basilica-of-st-john

http://en.wikipedia.org/wiki/Basilica_of_St._John

Jvari monastery, Georgia

Name : Jvari monastery. The name is translated as the Monastery of the Cross.

Location :

Jvari or Jvari Monastery (Georgian: ჯვარი, ჯვრის მონასტერი) is a Georgian Orthodox monastery of the 6th century near Mtskheta (World Heritage site), Mtskheta-Mtianeti region, eastern Georgia.

Description :

Jvari Monastery stands on the rocky mountain top at the confluence of the Mtkvari and Aragvi rivers, overlooking the village of Mtskheta, which was formerly the capital of the Kingdom of Iberia.

According to traditional accounts, on this location in the early 4th century Saint Nino, a female evangelist credited with converting King Mirian III of Iberia to Christianity, erected a large wooden cross on the site of a pagan temple. The cross was reportedly able to work miracles and therefore drew pilgrims from all over Caucasus. A small church was erected over the remnants of the wooden cross in c.545 named the “Small Church of Jvari”. As the name suggests there is a Big Wooden Cross inside the monastry.



The present building, or “Great Church of Jvari”, was built between 586 and 605 by Erismtavari Stepanoz I. The importance of Jvari complex increased over time and attracted many pilgrims. In the late Middle Ages, the complex was fortified by a stone wall and gate, remnants of which still survive. During the Soviet period, the structure was largely ignored, with access rendered difficult by tight security at a nearby military base. After the independence of Georgia, the building was restored to active religious use. Jvari was listed together with other monuments of Mtskheta in 1996 as a UNESCO World Heritage Site.

However, over the centuries the structures suffered damage from rain and wind erosion and inadequate maintenance. Jvari was listed in the 2004 World Monuments Watch list by the World Monuments Fund.

Architecture :

The Jvari church is a very early tetraconch (i.e. a four-apse domed building) structure. Between the apses there are three-quarter circular niches used as side chapels, which communicate with the central space. The transition from the square bay to the dome circle is effected through three rows of squinches. This design had a great impact on the further development of Georgian architecture and served as a model for many other churches not only in Georgia, but the whole region of South Caucasus.



Varied bas-relief sculptures with Hellenistic and Sasanian influences decorate its external façades, some of which are accompanied by explanatory inscriptions in old Georgian uncial script. The entrance’s tympanum on the southern façade, is adorned with a relief of the Glorification of the Cross, and the same façade also shows an Ascension of Christ. The church has an extra bell tower outside.



Websites :

http://en.wikipedia.org/wiki/Jvari_(monastery)

http://www.traveladventures.org/continents/asia/jvarichurch06.shtml

Erice – Venus Castle

Name : Erice – Venus Castle

Location :

Perched just above 750 metres above sea level on Mountain Erice in Sicily(Italy). Erice is a charming town in the province of Trapani, the low western coast towards Marsala, the dramatic Punta del Saraceno and Capo san Vito to the north-east.

How to get there :

Erice is easily accessible by different modes of transport-simple as well as exciting ones. You can reach Erice from the two major cities of Trapani and Palermo. You can reach Trapani and Palermo by air as the airports in both the cities are connected to all the major European cities. Palermo is a port so you can reach Palermo by ship as well.

From Trapani there are regular buses to Erice. If you decide to drive down by car it take about it takes about an hour’s journey from Palermo and about thirty five minutes from Trapani.



However the most exciting and thrilling way to reach Erice is by Funivia or cable car. You can travel via the station in the Casa Santa valley. The cable car links Trapani to Erice through a picturesque and exciting ride of 3099m. Each individual motorized cable car can take eight passengers. A return trip can also be organized.

Legend :

Eryx (meaning Mountain) or Erice, as it is more commonly referred to, was a religious centre where the Phoenicians worshipped Astarte, the Greeks worshipped Aphrodite and the Romans worshipped Venus. Today Christians still practice their faith and revere the Virgin Mary in the main church Chiesa Matrice which is dedicated to her.

On the summit of the mountain, there proudly stood an ancient temple of Venus or Aphrodite, founded by Aeneas. According to legend this is how Venus derived her surname name as many Latin writers refer to her as Venus Erycina.

Another legend, mainly attributed to the Greek historian Diodorus speaks of the town being named after Eryx the son of Aphrodite and Butes. Legend says that he invited Hercules to this ancient town in Sicily but was finally vanquished by him. Whatever the legend Erice is a historical town.

Erice was called Gebel Hamed by the Arabs and the Arabian influence is still a part of Erice especially its food. Erice was also invaded by the Normans who called it Monte San Guiliano. They built their famous Norman Castle on top of the ancient Temple of Venus, where Venus Ericina was idolize. In 1934 the town reclaimed its ancient name of Erice.

According to legend, the temple was established by Aeneas. It was well known throughout the Mediterranean area in the ancient age, and an important cult was celebrated in it. In his book On the Nature of Animals, Aelian writes that animals chosen for sacrifice would voluntarily walk up to the altar to be killed.

Castello de Venere or Venus Castle :

As evident from its name the Castello de Venere or Venus Castle is built around the ancient Venus temple in Erice. The decaying twelfth century Norman walls with their weather beaten graying stone exist amidst the ancient ruins of the temple of Venus. This Norman Castle bears the Coat of Arms of Charles V of Spain.

Although the castle is in ruins it offers a glimpse of its rich past and breathtaking views. There are ruins of a Roman bath and well. Legend says that these were the private bath of Venus the Roman Goddess of Love and Beauty. Alternatively as you roam through the ruins of the castle you can see rusting iron shackles hinting of deep dark dungeons and whispering hidden secrets which can make you shudder when there is an eerie silence and fog envelopes the ruins. The castle was used as a prison during World War II.



When the cool breeze blows through the walls a mystical atmosphere is created and one can almost imagine the flames of the fire in the Venus temple rising high and guiding sailors navigating the Mediterranean Sea. It is indeed a place of contrasts. There is a tower called the Balio Tower. The castle is situated on the jagged edge of the mountain peak and it almost looks as if the castle is coming out of the rocks. Castello de Venere or Venus Castle gives you such beautiful views that make you think it is worth the climb. Watching the sunset and the sky turn to a myriad of colours is a beautiful site in many parts of the world and Erice offers really stunning sunsets worthy of being captured for posterity through paintings or photographs.

Places to visit :

Triangular in shape and filled with cobbled and curving streets and arched passageways Erice is a tourist’s delight as you feel as if you have taken a step back in history. There are various attractions in the city of Erice. They include
Pepoli Castle, Balio Gardens, Cordici Civic Museum, EMFCSC or the Ettore Majorana Foundation and Centre for Scientific Culture, Churches of Chiesa Matrice, Saint John, SanMartino and Saint Ursula.



Also Erice is a beautiful city to visit for a holiday and offers culture, food, places to visit and to enjoy delicious Italian/Sicilian food.

Festivals :

Erice hosts an international Week of Medieval and Renaissance Music every summer. This famous event attracts lots of tourists, music lovers, talented performers and music afficionados from all over the world. There is a special procession taken out every Easter.

Websites :

http://www.ultimateitaly.com/italy-cities/erice-guide.html

Mazhai Malai Madha Arulthalam

Name : Mazhai Malai Madha Arulthalam

Location :

Mazhai Malai Madha Arulthalam is located on the National Highway about 95 kms from Chennai enroute Trichy. Geographically, it is situated near Melmaruvathur having Mathuranthagam as its Taluk and falls under the Jurisdiction of Kancheepuram District.

Legend :

During the tenure of Founder Rev. Fr. A. Pushpam - Parish Priest ( 1962 - 1973), this parish was the part of the archdiocese of Pondy - Cuddalore. People experienced severe drought in Tamilnadu and particularly in this place. At this moment, Fr. A. Pushpam decided to organize a car procession for Our Lady specially interceding for good rain. When the car procession ended at a place called Nallayan Kundru
(the hill of Good Shepered) there was a heavy down pour with thunder and lightening slashing the place like never before. A beautiful shrine was constructed at this place and hence the name Mazhai Malai Madha ( Hill Goddess of Rain ) was inscripted to our Lady in view of this astounding miracle.

Description :

Ecclesiastically, it belongs to the Chingleput Diocese, a new born babe of the Archdiocese of Madras - Mylapore. The Shrine is located in the midst of a very serene and beautiful vast stretch of lush pasture hill slope.

In view of the Silver Jubilee in the year 1994, a well planned concrete pathway for the pilgrims to visit Mazhai Malai Madha on the top of the mountain.

A Church was inaugurated and blessed by Rt. Rev.Dr. Lawrence Pius, the Auxiliary Bishop of Madras - Mylapore at midnight of the beginning of the III millennium (01.01.2001)

Tower of Faith :

As a monument of faith they have planned to construct a Tower of Faith in the shrine campus. The foundation stone for the great project was laid on 06.09.2003 by His Eminence Simon Cardinal Lourdusamy, Rome. The construction work on 27th October 2004.

The mega monumental project is in the fray. The proposed Tower would consist of Seven floors cascading the pilgrims into a world of Divinity. It is very essential to cultivate the requisite spiritual arousal and strengthen the faith of Christians. One would be enthralled to find this Tower as an exclusive monument depicting the evolution of faith.

The concept of the Tower of Faith is to bring in the celestial world here and now and this place would become a place of penance, a place of meditation, a place tranquillizing turbulent mind a place of spiritual transformation and a place of magnified faith.

Mountain : A Symbol of God’s Presence

For ages past, Mountains have been articulated as a place where God’s mighty presence is conceptualized. India, in particular, which has this sublime uniqueness of nurturing different sects of communities, practices multifarious religions,linguistic, cultures and life styles deem Mountain as a sanctified, vibrant and vivacious God’s presence.



From the Biblical perspective , in 1 Kings 20 :30, it is predominantly mentioned as “God of Mountains”. Mount Horeb was called the Mountain of God (Exodus 3:1).
Even in the life history of Jesus, Mountains have been a place of prominence for his Psycho- Spiritual pursuits.

For Jesus , Mountains became
A place of Prayer, Lk- 20 : 39,
A place of Contemplation, Mt-14 : 23
A place of Temptation and Renunciation, Mt- 4 : 8,
A place of Transfiguration, Mt-17 : 1

Eventually it is conspicuous that Mountains and the presence of God are strongly interlinked. Therefore, Mountain experience is considered to be a manifestation of FAITH EXPERIENCE.

Website :

http://malaimadha.org.in

Vahramashen Church

Name : Vahramashen Church

Location : Near the fortress of Amberd on the slopes of Mount Aragats in the Aragatsotn province of Armenia.

Description : Vahramashen Church also known as the Church of Amberd is an 11th century Armenian church. The fortress stands on a rocky cape formed by the rivers Ambert and Arkashen. Later, the fortress and its surroundings belonged to the Pahlavouni princes. The latter were a powerful family in the X century. Ambert was conquered by the Mongols in 1236 and destroyed by fire. It was never rebuilt.

Hovhannavank Monastery

Name : Hovhannavank Monastery

Location : Hovhannavank is an Armenian Apostolic Church monastery located in the village of Ohanavan in the Aragatsotn Province of Armenia. It is situated atop a steep gorge carved by the Kasagh river.

Description : The monastery's title originates from the combination of the name Hovhan (Armenian for Jonah) and the word “vank,” which in Armenian means “monastery.” The monastery was dedicated to John the Baptist, whom Armenians venerate as their patron-saint. The monastery stands on the edge of the Qasakh River Canyon, and its territory is adjacent to the village of Ohanavan.

The oldest part of the monastery is the single nave basilica of St. Karapet (i.e. Holy Forerunner, John the Baptist) that was founded at the beginning of the fourth century by St. Gregory the Enlightener, who baptized Armenia into the world’s first Christian nation. The wooden roof of the early church was replaced in 554 AD with a thatch cover, and the basilica itself underwent profound renovation between 1652 and 1734.

The centerpiece of the monastery is the Cathedral built between 1216 and 1221 through the donation of Prince Vache Vachutian. The Cathedral has a cruciform floor plan, with two story sacristies in each of the four extensions of the church. The dome has an umbrella-shaped roof, which is unique to Armenian churches.

Website : http://en.wikipedia.org/wiki/Hovhannavank_Monastery

Saghmosavank Monastery

Name : Saghmosavank Monastery

Location : It is located in the village of Saghmosavan in the Aragatsotn Province of Armenia

Description : The Saghmosavank Monastery is a 13th century Armenian monastic complex located in the village of Saghmosavan. Like the Hovhannavank Monastery which is five kilometers north, Saghmosavank is situated atop the precipitous gorge carved by the Kasagh river. Their silhouettes dominate the adjacent villages and rise sharp against the background of the mountains crowned by Mount Aragats.

The main temples of the monasteries erected by Prince Vache Vachutyan - the Church of Zion in Saghmosavank (1215) and the Church of Karapet in Hovhannavank (1216-1221) belong to the same type of cross-winged domed structure with two-floor annexes in all the corners of the building. Subcupola space predominates in the interiors of both churches, which is reflected in the exterior shapes of these structures.

Website : http://en.wikipedia.org/wiki/Saghmosavank_Monastery

Khor Virap

Name : Khor Virap

Location : Its location, near the closest point to Mount Ararat within Armenian borders, offers a spectacular view of the mountain, the national symbol of Armenia.

Description : The main church, St. Astvatsatsin, dates from the end of the 17th century. The smaller St. Gevorg Chapel was originally constructed in 642 by Catholicos Nerses III the Builder, but has been repeatedly rebuilt. St. Gevorg was built over the pit of imprisonment of Saint Gregory the Illuminator. This prison pit is where Saint Gregory the Illuminator was imprisoned for 13 years before curing King Trdat III of a disease. As reverence for Saint Gregory's act of healing and kindness, the King converted Armenia into the first officially Christian nation in the world in the year 301.

Website : http://en.wikipedia.org/wiki/Khor_Virap

Erechtheum

Name : Erechtheum

Location : North side of the Acropolis of Athens in Greece

Architecture :

The temple as seen today was built between 421 and 407 BC. Its architect may have been Mnesicles, and it derived its name from a shrine dedicated to the legendary Greek hero Erichthonius. Some have suggested that it may have been built in honour of the legendary king Erechtheus, who is said to have been buried nearby. Erechtheus and Erichthonius were often syncretized. It is believed to have been a replacement for the Pesistratid temple of Athena Polias destroyed by the Persians in 480 BC.

The need to preserve multiple adjacent sacred precincts likely explains the complex design. The main structure consists of up to four compartments, the largest being the east cella, with an Ionic portico on its east end. Other current thinking would have the entire interior at the lower level and the East porch used for access to the great altar of Athena Polias via a balcony and stair and also as a public viewing platform.

The entire temple is on a slope, so the west and north sides are about 3 m (9 ft) lower than the south and east sides. It was built entirely of marble from Mount Pentelikon, with friezes of black limestone from Eleusis which bore sculptures executed in relief in white marble. It had elaborately carved doorways and windows, and its columns were ornately decorated (far more so than is visible today); they were painted, gilded and highlighted with gilt bronze and multi-colored inset glass beads. The building is known for early examples of egg-and-dart, and guilloche ornamental moldings.

Religious functions :

The Erectheum was associated with some of the most ancient and holy relics of the Athenians: the Palladion, which was a xoanon (defined as a wooden effigy fallen from heaven - not man-made) of Athena Polias (Protectress of the City); the marks of Poseidon's trident and the salt water well (the "salt sea") that resulted from Poseidon's strike; the sacred olive tree that sprouted when Athena struck the rock with her spear in her successful rivalry with Poseidon for the city; the supposed burial places of the mythical kings Cecrops and Erechtheus; the sacred precincts of Cecrops' three daughters, Herse, Pandrosus and Aglaurus; and those of the tribal heroes Pandion and Boutes.

The temple itself was dedicated to Athena Polias and Poseidon Erechtheus. Within the foundations lived the sacred snake of the temple, which represented the spirit of Cecrops and whose well-being was thought essential for the safety of the city. The snake was fed honey-cakes by Canephorae, the priestesses of Athena Polias, by custom the women of the ancient family of Eteoboutadae, the supposed descendants of the hero Boutes. The snake's occasional refusal to eat the cakes was thought a disastrous omen.

Late antiquity and the Middle Ages :

The intact Erechtheum was extensively described by the Roman geographer Pausanias (1.26.5 - 27.3), writing a century after it had been restored in the 1st century AD. The internal layout has since been obscured by the temple's later use as a church and possibly as a Turkish harem.

Modern Times :

One of the caryatids was removed by Lord Elgin in order to decorate his Scottish mansion, and was later sold to the British Museum (along with the pedimental and frieze sculpture taken from the Parthenon). Athenian legend had it that at night the remaining five Caryatids could be heard wailing for their lost sister. Elgin attempted to remove a second Caryatid; when technical difficulties arose, he tried to have it sawn to pieces. The statue was smashed, and its fragments were left behind. It was later reconstructed haphazardly with cement and iron rods.

Recent events :

The Caryatids have been transferred to the New Acropolis Museum. The first was carried over safely on December 9th, 2007, via an elaborate system of aerial cranes.

Within the new museum, the statue was reunited with its long-missing sandalled left foot, which was identified among rubble in the 1980s. The reassembled Caryatid, along with the four others remaining in Athens, is having its decayed patina thoroughly restored by laser, and is on display in the new museum.


Website :
http://en.wikipedia.org/wiki/Erechtheum