The Silver Temple (Ridi Vihara), Sri Lanka

Name : The Silver Temple (Ridi Vihara), Sri Lanka

Location :

The Ridi Viharaya is a temple situated atop a hill at Ridigama (Silver village), a village 13 miles away from Kurunegala.


Description :

It is a cave temple with many interesting legends surrounding it, and is visited by Buddhists, Hindus and Christians.

Accidental Silver to finance the Ruwanweliseya Stupa
Ridi Vihara was built by the hero of the nation, King Dutugamunu who reigned in the 2nd century BC. The king lacked the funds to complete the great Ruwanweliseya Stupa (Ruwan Weli Saya dagoba) at Anuradhapura until the discovery of a rich vein of silver at the village now known as Ridigma. The new found wealth having allowed the illustrious king to carry on with his masterpiece, the king expressed his gratitude by creating a cave temple at the location of the silver ore.

Jackfruit treat temple
At the entrance to the cave temple, just before the main body of the temple lies the Varaka Valandu Vihara (Jackfruit treat temple), an exquisite little temple, which dates from around the eleventh century. Built right up against a small rock outcrop, it is dedicated to the guardian of the mountain on which the Ridi Vihara is located. The bases of the pillars are decorated with figures-a man with a spear, another with a bow & arrow-while inside the tiny shrine sits a small yellow Buddha statue & a few simple Kandyan-era paintings. When you are on the tour with us, we will, of course narrate the story of the jackfruit treat: how the temple got its name. And on tour in Sri Lanka you will be having tender Jackfruit spicy curry (Polos), ripe Jackfruit curry in sauce of coconut milk (Kiri cos) & ripe & juicyJackfruit (Varaka) as a fruit. Tropical Jackfruit, one of the largest fruits in the world, is a many splendoured love in Sri Lanka

The main rock-cut temple, Lower Temple
Beyond here, you pass through a wooden entrance pavilion (an old wooden palanquin hangs from the roof) and cross a small courtyard painted in harmonious pastel colours to reach the main rock-cut temple, the Pahala Vihara (Lower temple). Gold plated Buddha statue attributed to King Dutugamunu is kept securely inside a special case.

Pancha Nari Gataya (The knot of five maidens) in the lower temple.
To the right of the entrance to the lower temple is an exquisite ivory carving of a vase. At the close range the vase blooms into a figure of five entwined maidens.

Blue & White Dutch wall tiles of Biblical stories in the lower temple
The temple's interior is surprisingly large; a veritable Aladdin's cave, its walls are covered in tessellated hundreds of Kandyan-era pictures of Buddha. A 9m recumbent Buddha rests on a platform, a flower altar decorated with a blue & white tiles that narrates Biblical stories, which were a gift from the Dutch envoy to King Kirti Sri Rajasinghe (1746-1778 AD). The king in return had gifted the tiles to the temple. Christianity being a non-violent religion, the Buddhist spirit of tolerance of faiths would have spurred the Buddhist bhikkus (monks) to see the tiles with due admiration of their quality & artistry. Banishment of Adam & Eve from the Garden of Eden, the last supper, Mosses & the burning bush, prophets of yore, dove of peace, creation of man are some of the scenes depicted in the tiles.

Floor Tiles with Christian Stories

At the far end of cave stand from left to right statues of the Buddha, Avalokiteshvara (Natha), King Dutugamunu (the last is an extremely ancient statue date from Anuradhapura period), as well as a delicate reclining Buddha from Burma.

Reclining Buddha from Burma

Upper Temple
Behind the temple, steps lead up to the right to the Uda Vihara (Upper Temple) right behind. This eighteenth-century structure is attributed to King Kirti Sri Rajasinghe. The entrance consists of Kandyan-period moonstone & steps flanked by elephants. A series of Hindu deities & images of the Buddha are located herein.

The main image of Upper Temple
In the main chamber is an impressive seated Buddha (UdaVihara Buddha) set on a busy backdrop Makara Torana (Dragon Arch) of images of gods, devotees and Buddhas. Paintings of mythological animals and King Rawana too adorn the temple.





A trompe l' oeil Cobra House, next to the main chamber of Upper temple
Next door to the main chamber is the small "Cobra House". To the right of the entrance door is a painting of a formation of nine maidens-a trompe l' oeil which, as you walk backwards, magically transforms into the shape of an elephant. It's a clever visual trick designed by the fresco artists.

There are more Kandyan-era decorative murals of flowers & Buddha statues inside the Cobra House; behind it, a stupa sits almost completely covered under another part of the overhanging rock. These are the paintings of "Sarpenda" and "Vrushaba Kunjaraya" (the entwined heads of the bull and the elephant).

Artificial lake
There is an attractive artificial lake at the foot of the hills.

Ancient inscription
Outside the temple complex you can see an abandoned dagoba at the top of a smooth rocky outcrop. On the way up, to your right an ancient inscription in the stone that has been etched on King Dutugamunu's behalf.

Walk
An easy 10 minute walk starts to the right of this stupa passing a modern pavilion to an abandoned villa; nearby, on the top of the cliff, is a slab of rock which affords magnificent views of hills & valleys.

Websites :

http://www.mysrilankaholidays.com/silver-temple.html

Aukana Buddha Statue, Sri Lanka

Name :  Aukana Buddha Statue, Sri Lanka

Location :

The Aukana temple nearby ancient Kala Wewa rainwater reservoir, perched on a small hill at the edge of the jungle located some 30km northwest of Golden Dambulla Rock Templewith its massive stone-carved Buddha
The perfect & elegant 12m-high standing Buddha is adored all over the island to such an extent, that several full scale copies have been erected in the island: Colombo, Dondra, Ratnapura, and Trincomalee.

Description :

The statue was erected in the same period the second half of the 8th century AD, as those at Polonnaruwa's Gal Vihara & Lankatilaka Vihara as well as Buduruwagala & Maligawila all of which emphasis on Buddha's superhuman, transcendal powers.

Bless you
Unlike other great statues in the island which are carved in "Abhaya Mudra" (Have no fear), the Aukana statue is in the "Asisa Mudra", the blessing position, with the right hand turned sideways to the viewer. The figure is carved in the round, narrowly connected at the rear to the rock.

The perfect Buddha statue
Carved out of the living rock with supreme assurance, Aukana Buddha is a magnificent image. His expression is serene & from his curled hair there sprouts the flame called siraspata signifying the power of supreme enlightenment. Although the statue is large & stands straight up with feet firmly planted on the lotus stone pedestal, the body retains a graceful quality enhanced by beautifully flowing drapery clinging to the body.

The sculpture in proportion
Aukana Buddha statue is carved alone the proportion of nine faces: the body height is nine times the length of the face. The proportion of nine faces is the iconometry followed by the sculptors in the eight century AC of Sri Lanka.

Sirasapata
Sirasapata is the symbol placed on the top of the Buddha images in Sri Lanka. The sirasapata found on the head of Aukana Buddha statue is believed to be a modern addition in the year 1870. The discovery of a fragment of a sirasapata in the premises of the site suggests there had been a sirasapata on the head of the statue nearly a century before 1870. This turn of events have lead to study whether sirasapata had existed from the very beginning in the 8th century AD. According to the Buddhist literature sirasapata have existed in the all four previous Buddhas. Introduction and existence of sirasapata have been consistent in Sri Lanka since second half of the fifth century A.D. with several exceptions. Hence it is believed Aukana Buddha statue too was adorned with a sirasapata.

Drapery
Drapery, the art of draping the statues in folds is prominent in the Aukana Buddha statue. The robe in single groves is draped over the left shoulder to fall over the left shoulder up to the ankle. The right shoulder is left bare.

Pedestal
Aukana Buddha statuestand on a pedestal, the front of which is carved off a slab off stone in the form of a double petal lotus flower called Padmasana meaning the Lotus seat.

The tallest (Ancient) Buddha statue in the world
The magnificent free-standing statue carved out of a single rock is the tallest Buddha statue in existence today. Following the destruction of similar but much larger statues at Bamiyan in Afghanistan, the Aukana Buddha has gained even greater significance in the Buddhist World.

The whole of cultured world was horrified at the savagery & barbarity inflicted upon the colossal Bamian Buddha statues carved from the cliffs that dominate the dusty plains in the heart of Hindu Kush which have watched serenely for 15 centuries as the fortunes of the city beneath them waned from Silk Road metropolis to remote Afghan backwater.

In honour of the destroyed & in defiance of intolerant, China quietly goes with its own form of defiance: in their territory, carving, sculpting, erecting two statues similar in every conceivable way, to the two Buddha Statues destroyed by Taliban. In the ancient times Bamiyan, the region where Mahayana Buddhism originated, was known as Vokkana or Avakana. Do we have a clue to the name Aukana? In Sinhalese there is no such word as Aukana meaning sun eating as erroneously proclaimed.

Best time to see :

The best time to see the magnificent statue is at the crack of dawn when the first rays of sun light up the east-facing statue's finely carved features.

Websites :

http://www.lanka.com/sri-lanka/aukana-buddha-statue-933.html

http://www.mysrilankaholidays.com/aukana-buddha-statue.html

Kunjargiri

Name :  Kunjargiri

Location :

Kunjargiri is approximately 11 Kilometers from Shree Krishna Math in Udupi, five kms from Katapadi and two kms from Kunjargiri Cross road. Kunjaru is a hamlet in Kurkaal village, about 11 kms to the south-east of Udupi. This village gets its reputation owing to the temple of Goddess Durga situated on the hillock known as ‘Kunjargiri’ or ‘Durgabetta’ or ‘Vimanagiri’.

Legend :

It is believed that the pious temple idol was installed by none other than Lord Parashurama himself. Hence, in the vicinity, there are temples of both Goddess Durga and Lord Parashurama.

After installing ‘Durga’ on the top of Vimanagiri, now known as Kunjargiri, Parashurama created four Thirthas- ponds of holy water. They are called Gadathirtha, Banathirtha, Parashuthirtha and Dhanusthirtha, in the four sides of Durgabetta. It is belived that Parashurama is in deep penance in the cave in eastern side below the Durgabetta even today.

Other names for the temple :

Since these high abodes of Durga and Lord Parashurama look like ‘elephants,’ it gets the name ‘Kunjargiri,’ with ‘Kunjara’ notifying an elephant. It is also called ‘Vimanagiri’ because mythology has it that gods and goddesses had flown on their flying machines (vimana) to shower floral tribute when the idol of goddess Durga was being installed by Parashurama.  The quiet surroundings coupled by green vegetation gives the name ‘Vana Durge’ to the presiding deity.

Description :

The temple is majestically situated above the top of the hill, which can be reached by the 257 well laid steps. There is a road on the western side of the hill, which also makes it convenient for the movement of the vehicles to the top of the hill. The best time of the day to visit this hill temple is the evening in case you are wanting to relish the beautiful sunset in a pious surrounding. Otherwise anytime of the day is suitable to prostrate in front of Goddess Shakti.

Standing amidst lush green hilly surroundings, the sanctity or ‘Saanidhya’ of the temple will surely keep devotees engulfed in utmost devotion. Earlier, one could find tigers also in the forest of this hill but now only peacocks, fox and monkeys can be found. The greenery and the view from the hill which is at a height of about 100 feet is breathtaking. The idol of the deity is placed at a height of about three feet inside the temple and the speciality of this place is that one can have darshan of Durga from outside itself. To the west of Kunjarugiri, there is another smaller hillock. And there is a temple of Parashurama in a Cave. To the east (at the feet of Durgabetta) there is Pajaka- the birth place of Trailokyaguru Shri Madhwacharya where the great Acharya spent his early childhood days.

The Idol :

The magnificent idol of Shree Durga is a Chaturbhuja (four-armed) image. It stands holding the Shanka (conch) and Chakra (discus) in the upper hands and Dhanus (bow) and Trishula (trident) in the lower hands.

She stands stamping demon Mahishasura under her feet. Apart from this temple, one can also visit the holy Theerthas, Lord Parashurama temple and Paajaka Kshethra, where Jagadguru Sri Madhwacharya took his avatara.

Theerthas :

To the east of Durgabetta there is Bana Theertha (arrow shaped sacred pool created by Lord Parashurama) and the Gada Theertha (mace shaped sacred pool created by Lord Parashurama) is to the west of the hill. These are the two Theerthas among the four theerthas created by Parashurama on the rocky terrain. The water of these Theerthas never dry up even during the hottest days of summer!

The four sacred Theerthas around the region, and the cave – all created by Lord Parashurama confirms the association of Lord Parashurama with this region.

Festivals :

Sharannavaratri is an important festival celebrated here. Navadurga Kalpoktha Puja is performed during the days of Navaraatri. The Kannika Puja, a speciality of the Durga Temple, is offered in a grand scale. Kannika Puja is offered by the devotees as an important Seva at the temple. Many people visit this temple during Navaraatri and offer their prayer at the feet of the Goddess.


The Rathotsavam (Annual Car festival / Chariot festival) is held in a grand scale with devotion. The rituals during the Uthsava are very elaborate and have their own special features. The Dhwajaarohanam is performed on the Maagha Shuddha Trayodashi day. The Rathotsavam is celebrated on Maagha Shuddha Poornima day. Feasting (Maha – Annasantharpane) is held on this day and thousands of devotees participate in it to take Prasadam. Many people also gather near the Shrine to witness the spectacular Rathotsavam on that night.

The annual ritual of ‘Rashi Puja’ is performed during the Amavasya (New moon day) following the Rathothsava. Many devotees participate in this ritual and offer their prayers to the Goddess.

On the eve of Sowramana Yugadi ‘Kani’ is kept here and ‘Panchangashravana’ is done on the Sowramana Yugadi day in the morning. Ganapathi Homa is performed during the Ganesha chaturthi and the Krishnaashtami is specially celebrated by offering special pujas to mark the occasion.

Dhanur Puja is offered during the Dhanurmasa and Paschimajagara Puja is offered in the month of Karthika. Both Pujas are offered at the dawn during the respective months. Apart from the above festivals and rituals Rugupakarma is also observed here.


Websites :

http://www.deccanherald.com/content/227981/serenity-divinity-atop-hill.html

http://payaniga.com/2008/07/around-udupi-kunjarugiri-pajaka.html

http://kunjarugiri.in/

Wudang Shan

 
                                              

Name :  Wudang Shan

Location :

Wudang Shan is a small mountain range in the northwestern part of Hubei Province of People's Republic of China, just to the south of the city of Shiyan. Wudang Mountains has a very vast landscape comprising of 72 strange peaks, 24 powerful streams, 36 solid rocks, 11 caves, 3 ponds and 9 springs and its landscape is a vast of tranquility, mystics and spirituality.

History :

In years past, the mountains of Wudang were known for the many Taoist monasteries to be found there, monasteries which became known as an academic centre for the research, teaching and practice of meditation, Chinese martial arts, traditional Chinese medicine, Taoist agriculture practices and related arts. As early as the Eastern Han Dynasty (25–220 AD), the mountain attracted the Emperor's attention. During the Tang Dynasty (618–907), the first site of worship—the Five Dragon Temple—was constructed.

Some of the monasteries were damaged during and after the Cultural Revolution of 1966–1976, but the Wudang mountains have lately become increasingly popular with tourists from elsewhere in China and abroad due to their scenic location and historical interest. The monasteries and buildings were made a UNESCO World Heritage Site in 1994.

Purple Cloud Temple

The palaces and temples in Wudang, contains Taoist buildings from as early as the 7th century, and the largest groups of complex on the mountain was built during the Ming Dynasty (14th–17th centuries). It represents the highest standards of Chinese art and architecture over a period of nearly 1,000 years. Noted temples include the Golden Hall, Nanyan Temple and the Purple Cloud Temple.

Description :

The range of 72 peaks stretches for 400km (250 miles). At 1,600 meters (5,250ft) Tianzhu Feng peak is the highest of Wudang Shan’s peaks. Its name means pillar to the sky. Many of the hills in Wudang Shan have Daoist temples scattered on their slopes which date back to the Ming dynasty (1368-1644) and this is one of the most sacred mountain areas for Daoists. 

The Ming emperor Zhen Whu, who became a Daoist deity, lived here during the 15th century and there is a statue of him in the impressive Taihe Temple, which is about halfway up Tianzhu Feng Peak. The climb to the top of the mountain takes about 3 hours. Jinding (Golden Summit) is located at the top of Tianzhu Feng Peak. and it is the main temple on the topmost peak. The roof of the temple is made of polished brass, so it gleams like gold in the clear mountain sunlight.

There are numerous other temples to visit in this scenic area including Zixiao Gong ( Grand Purple Cloud ), which was built in 1413 and is located northeast of Tianzhu Feng peak. It is located below Zhanqi Peak. This palace looks most splendid in appearance and kept in perfect unseasoned condition on Wudang Mountain. The Taoist building covers an area of about 6,850 square meters and it comprised the Stele Pavilion, Dragon and Tiger Hall, The Parents Hall, Shifang Hall and other buildings. This palace was constructed with depicting wooden structures, glazed tiles and roofs are carved with yellow and blue colors.

It is claimed that the Chinese martial art of Tai Chi has its origins in Wudang Shan, based on a style of boxing developed by a Daoist monk named Zhang Sanfeng who lived in the area during the 14th century. Zhang Sanfeng developed the martial art from his observations of birds and animals in Wudang Shan.

Websites :

1. http://en.wikipedia.org/wiki/Wudang_Mountains
2. http://www.chinaetravel.com/attraction/att14h.html
3. http://aircommandoman.tripod.com/theway/

Lakhamandal - Laksha Grah

Name :  Lakhamandal - Laksha Grah

Location :

Lakhmandal is situated in Uttaranchal on the bank of Yamuna at a distance of 35 kms. from  Chakrata  and 128 kms. Past Kempty Falls, 75 kms on the Mussoorie-Yamnotri road lies Lakhamandal, having a historical as well as mythological significance.

Legend :

It figures prominently in epic book of Mahabharata. Legend has it that the Kaurvas made a shelter house and conspired to burn the Pandavas alive here. It is believed to be the place where the Kaurava's tried to kill the Pandava's by burning down their castle at Lakshagrah. For a road map, see here. 

Description :

Chakrata known for its serene environs and pollution-free atmosphere, is situated at a distance of 98 kms from Dehradun at an elevation of  about 7000 ft(2118 mts). It is having a cantonement township and the northern part of Chakrata sub-division provides a fascinating landscape for trekkers and nature lovers. Virgin forests of conifers, rhododendrons and oaks are best suited for long walks. 

It contains temples dedicated  to  Diva, The  five  pandava  brothers,  Parasuram and Kedar.   In  order  to  burn  the Pandavas, the Kauravas had built their 'Laksha Grah' (house of lac).  The  two remarkable well executed figures in stone of Arjuna and the other of Bhima are available in the village.

What survives of Lakshagrah is supposed to be a pretty deep cave on top of a hillock, about 10minutes walk from the village. From the cave a tunnel is said to exist leading to the Yamuna Riverbed nearby, in which the Pandava's are said to have escaped the fire.

Excavations are still revealing ancient artifacts near the temple, see the half excavated shivling above. Behind the main temple is a "shining" shivling, if you pour water on it, it becomes shiny and you can see yourself in it!

Other places of Interest :

There are numerous Waterfalls (Tiger falls, Moigad falls) on the way and one can visit the Ashoka Pillar Rock Edict at Kalsi, built in 450 B.C., which represents the post-warfare era when king Ashoka converted himself to the Buddhist faith.

Websites :

http://dehradun.nic.in/chakrata.htm 

http://www.pandeyji.com/chakrata/lakhamandal.cfm

Devasahayam Pillai Mount

Name : Devasahayam Pillai Mount

Location :

Devasahayam malai is 8 km north of nagercoil and situated on the Nageroil - Thirunelveli highway in Tamilnadu, India

Legend and beliefs :


Devasahayam Pillai was an 18th century convert from Hinduism to Christianity in the southern part of India.He may have been an official in the court of the Travancore king, Maharaja Marthanda Varma, during which time he came under the influence of the former Dutch naval commander, Captain Eustachius De Lannoy.
He is believed by Roman Catholics to have been martyred. In 2004, the Tamil Nadu branch of the Catholic Bishops' Council in India recommended Devasahayam Pillai for the process of beatification to the Vatican.This led to arguments as some Hindus believe that there is no evidence of religious persecution in Travancore during that period, and that Pillai was executed for sedition

Early Life :

Devasahayam Pillai (named Neelakanta Pillai at birth) was born into an affluent Nair-caste family at Nattalam in the present-day Kanyakumari District, on 23 April 1712.His father Vasudevan Namboodiri, hailed from Kayamkulam, in present-day Kerala state, and was working as a priest at Sri Adi Kesava Perumal temple in Thiruvattar in present-day Kanyakumari district of Tamil Nadu. In the Nair matriarchal traditions of the day, Devasahayam Pillai was raised-up by his maternal uncle, and was inculcated with Hindu beliefs and traditions early on. Devasahayam’s family had much influence in the royal palace of Maharaja Marthanda Varma, king of Travancore, and Devasahayam went into the service of the royal palace as a young man. His capabilities and enthusiasm did not go unnoticed in the palace, as he was soon put in charge of state affairs as an official under Ramayyan Dalawa, the Dewan of Travancore.

Conversion  to Christianity :


In 1741, Captain Eustachius De Lannoy, a Dutch naval commander, was sent on command of a Dutch naval expedition by the Dutch East India Company to capture Colachel, a port under the control of Travancore. In the battle (Battle of Colachel) that followed between the Travancore forces and De Lannoy’s men, the Dutchmen were vanquished. Many Dutchmen, including De Lannoy and his assistant Donadi.
De Lannoy and the Dutchmen were later pardoned by the king, on condition that they serve in the Travancore army. De Lannoy later earned the trust of the king and went on to become the commander of the Travancore armed forces, winning many battles and annexing various adjacent territories to Travancore.
It was during their influential roles under the King of Travancore that Devasahayam Pillai and De Lannoy became well acquainted. De Lannoy’s Christian faith interested Devasahayam and De Lannoy enlightened him on the faith, leading to his conversion in 1745.

On Devasahayam’s acceptance of the Christian faith, he was baptized at the church at Vadakkankulam village (in the present Tirunelveli District of Tamilnadu), where the Jesuits had a mission under Rev. Fr.R.Battari Italus S.J. Neelakanda Pillai, his name at birth, was then changed into Devasahayam (means God's help in Tamil/Malayalam for Lazarus) after receiving baptism.

Orders based on accusations and charges :

Roman Catholic sources allege that the Brahmin chief priest of the kingdom and members of the royal household and the Nair community brought false charges on Devasahayam to the Dewan, Ramayyan Dalawa, and that Devasahayam was divested of his portfolio in the administration and was later accused of treason and of divulging state secrets to rivals and Europeans. He was initially ordered to be taken on a buffalo to Kuzhumaikkad, where he would be executed and finished-off. But the original Royal order was altered later several times to finally to be taken on a buffalo back to Aralvaimozhy border for a meaningful punishment of banishment after carrying out a series of tortures by ten different karyakkars on the advice of ministers.

Other traditions and beliefs :


Devasahayam was marched to Aralvaimozhy by soldiers, over the period of a few days. As was customary in those days for very cruel criminals, his body was painted with red and black spots, and he was intentionally marched through populated areas, sitting backward on top of a water buffalo (the mythical vehicle or vahana of Yama, the lord of death in Hinduism) throughout South Travancore from Padmanabhapuram palace. On the way en-route, he was daily beaten with eighty stripes, pepper rubbed in his wounds and nostrils, exposed to the sun, and given only stagnant water to drink.

While halting at Puliyoorkurichi, not far away from the Padmanabhapuram Palace of the Travancore king, it is believed by Christians that God quenched his thirst by letting water gush through a small hole on a rock, the very place where he knelt to pray. The water hole is still to be found in the compound of a church at Puliyoorkurichi, about 15 km from Nagercoil.

It is also believed that the leaves of a neem (Margosa) tree in the village of Peruvilai, to which he had been tied while being marched to Aralvaimozhy, cured illnesses of sick people in the village and around. Many more miracles are attributed to Devasahayam Pillai.

Death :

In 1752, the original order of the King and his Dewan was to deport him from Travancore, into the Pandya country, at Aralvaimozhy. He was let off in the forested hills near Aralvaimozhy. There, he is believed to have begun deep meditations, and the people from the adjacent villages began visiting the holy man. Christian sources allege that at this time, high caste Hindus plotted to do away with Devasahayam.

Some people believe that the soldiers went up the forested hills and tried to shoot Devasahayam, but were unable to fire; after which he took the gun in his hands, blessed it and gave it back to the soldiers to shoot him to death, if they wished to. The soldiers took the gun back and fired at him five times. His body was then carelessly thrown out near the foothills at Kattadimalai.

It was at Kattadimali in Kanyakumari district that Devasahayam Pillai died on 14 January 1752. His mortal remains were interred near the altar inside St. Xavier's church, Kottar, which is a Cathedral now in Nagercoil.

In 1780, Kariattil Ouseph Malpan submitted a petition to the Vatican for canonization of Devasahayam Pillai.
At the beginning of the 21st century, many Christian devotees started offering prayers at his tomb. After a series of initiatives and much deliberation, the Catholic Bishops' Conference of India (CBCI), Tamil Nadu council, later in 2004, duly recommended his beatification, following scrutiny of available historical evidence, in consultation with others.

Devasahayam Pillai is now considered one of the endless list of servants of God.



Places of Interest :


Devasahyam Pillai is believed to be buried in the Cathedral of St. Francis Xavier at Kottar in Nagercoil.
Devasahyam Pillai’s clothes and other belongings are kept in a church in the small town of Vadakkankulam, in Tirunelveli District of Tamilnadu State, India. They are exposed at the church on 15 August every year, the feast of the Assumption of Mary. His wife was buried in the cemetery there.

Puliyoorkurichi, location of the water fountain believed to have quenched Devasahayam’s thirst, is on the Nagercoil - Trivandrum highway.

Aralvaimozhy, where Devasahayam was killed, is also on the Nagercoil - Tirunelveli highway. At that spot on the hillock (called Kaattadimalai), devotees believe that at the moment of martyrdom, most of the rocks
were broken into pieces and one piece that fell down rang like a church bell. This is called the Bell Rock.

It is still there and when striked with a stone it makes Bell sound. It is believed to cure diseases and give answers for prayers of the devotees void of religion. So people come here every Friday to offer their prayers at the Bell rock.

Websites :


http://en.wikipedia.org/wiki/Devasahayam_Pillai

http://incrediblekumari.blogspot.com/2008/12/devasahayam-pillai-mount-3.html