Chinnamasta Temple, Rajrappa

Name : Chhinnamasta Temple

Location :

Chhinnamasta temple is located at Rajrappa, 65 km away from Hazaribagh along NH-23 in the Ramgarh district in the North Chotanagpur division division of the state of Jharkhand, India. It is situated on a hillock at the confluence of the Damodar and Bhera (Bhairavi) Rivers near the Rajrappa falls.

Etymology :  Chhinnamasta (Sanskrit: छिन्नमस्ता, Chinnamastā, "She whose head is severed"), often spelled Chinnamasta and also called Chhinnamastika and Prachanda Chandika, is one of the Mahavidyas, ten Tantric goddesses and a ferocious aspect of Devi, the Hindu Divine Mother. Chhinnamasta can be easily identified by her fearsome iconography. The self-decapitated goddess holds her own severed head in one hand, a scimitar in another. Three jets of blood spurt out of her bleeding neck and are drunk by her severed head and two attendants. Chhinnamasta is usually depicted standing on a copulating couple.

Description :

Chinnamasta Temple dedicated to Goddess Chinnamasta is a hindu pilgrimage centre and located in Rajrappa, in Ramgarh district of Jharkhand. The place attracts devotees from all parts of Bihar, Jharkhand and West Bengal. It is located on top of the hill from where Rajrappa Waterfall comes down  forming a 20 feet high waterfall. Boating facilities are available here.

The temple enshrines the Goddess Chinnamasta (the beheaded Goddess Kali), one of the ten forms of the Goddess Durga. The statue shows the goddess holding her own head in her left hand and her head drinking the blood oozing out of her neck. The headless idol of Goddess Chhinnamastika stands on the body of Kamdeo and Rati ( Manmadhan & Rathi ) in Lotus bed. Many smaller temples have been build around the main temple such as the temples of Ashtamatrika and Dakshina Kali. The temples of Mahavidyas built in a series nearby are Tara, Shodashi, Bhubneswari, Bhairavi, Bagla, Kamla, Matangi, Dhumavati.

The temple is very old and the place Rajrappa finds mention in the Vedas, Puranas and Hindu scriptures as a "Shakti Peeth" which is flocked by devotees from Bihar, Jharkhand, West Bengal Assam and Nepal for worship of Goddess Chinnamastika. Vedic book Durga Saptashati also mentions the temple. The art and architectural design resembles the design of temples of Tantrik importance. The temple is considered as notable as the tantrik site of Kamakhya Temple of Assam which has a similar architecture. The temple is one of the 10 Mahavidhyas. The ancient temple of Goddess was destroyed and later a new temple was constructed and the original idol of Goddess was placed in it. Animal sacrifice is still practised in the temple. The sacrificial animals are killed on Tuesdays, Saturdays and during Kali puja.

A large number of pilgrims arrive here throughout the year. Large congregation of people takes place here during the full Moon and New Moon nights. Owing to the religious importance of the place, it is also popular among the disciples for marriage and ritual of Mundan or shaving the head. Vehicle owners come here to get blessings for their new vehicles as they believe that the first worship of vehicles here multiplies the life of vehicles and brings luck to the owners. Tantriks look upon this place for Tantric accomplishment.

Rajrappa also is a pilgrim centre for the Santals and other tribals who come for immersion of the ashes of their loved ones in the Damodar. They come mostly during the month of December, in groups known as yatri. As per their mythology it is their final resting place. In their folk songs Rajrappa is referred to as "Thel Kopi Ghat" (Water Ghat) and they use oil after bathing. They come in significant numbers from the southern parts of Jharkhand state such as East and West Singhbhum and Saraikela districts. Maa Chinmastika devi is also known as Manokamna devi due to the belief that it fulfils the wishes of the devotees. Devotees tie a red thread around a rock in the temple for the fulfillment of their wishes.

In the month of January a special fair is held here on the festival of Makar Sankranti and attended by lakhs of people. A fair is also organized during the festival of Vijaydashmi, Vijayadashami and attended by large number of people. Visitors take holy bath in the river.

Besides religious importance the place is also a famous picnic spot owing to its natural beauty. Hilly landscape covered with lush forest and river are some of its features. The hot water spring located here increases the beauty of the region. The Bhera River joins the Damodar River from a height of 20 feet creating a waterfall. The location offers boating facilities and visitors enjoy boat rides in the locality having various rock formations along the river bank. The place also attracts many foreign tourists due to its natural and religious importance.

The region around the temple is quite and eerie after sunset. Due to this Satyajit Ray chose Rajrappa as the setting for Feluda adventure Chhinnamastar Abhishap.

Website :

http://en.wikipedia.org/wiki/Chhinnamasta_Temple

http://en.wikipedia.org/wiki/Chhinnamasta 

Mundeshwari temple

Name : Mundeshwari temple

Location :

Mundeswari temple is located 10 kilometres from the small town of Bhabhua, 120 kilometres from Varanasi and 175 kilometres from Patna in Bihar. This temple, one of the earliest specimens of Nagara temple architecture in Bihar, situated at a village Ramgarh on a 600 feet high hill.

History :

As per the prevalent version, the temple was built in the period of 3-4 BC with the Narayana, or Vishnu, as the presiding deity. The statue of Narayana has disappeared due to the ravages of time. During 348 AD, a new deity Viniteswara was set up as a minor deity in the temple, holding a subsidiary position to Narayana, the main deity.

Around the seventh century AD, Shaivism (Religion based on Lord Shiva) became the prevalent religion and Viniteswara, which was a minor deity, emerged as the presiding deity of the temple. The Chatur Mukhalingam (Lingam with four faces) representing him was accorded the central place in the temple, which it holds even now.

After this period, the Cheros, a powerful aboriginal tribe and the original inhabitants of the Kaimur hills, ascended to power. The Cheros were worshippers of Shakti, as represented by Mundeswari, also known as Maheshmardini and Durga. Mundeswari was made the main deity of the temple. However, Mukhalingam still occupied centre stage in the temple. So the image of Durga was installed in a niche along one wall of the temple, where it resides to this day, while the Mukhalingam survives as the subsidiary deity, though in a central position.

Description :

Situated atop the Kaimur Hill (608ft), the temple is in an octagonal shape. Since the temple buit in 3century B.C. rituals and worship have been taking place at the temple without a break. Thus making it one of the oldest functional temple in the world.



On entering the door, the pride of place is held by a lingam with four heads in the centre of the temple. This is the “Chatur Mukhalingam” which represents the Viniteswara , said to be set up in 348 AD by Dandanayaka Gomibhata.



To the right of this central statue is the presiding deity of the temple, Durga or Maheshmardini with ten arms and riding a buffalo representing an Asura. This is unique in itself, as generally Durga is represented as killing the ‘asura’ in the form of a buffalo. There is exemplary lattice work in stone on the window nearest the door and a variety of figures of dancers and musicians on the front temple door.

The clear indication that Shiva and Shakti were worshipped here is also an indication that the temple might be part of the Tantric cult which is quite popular in the Eastern part of India.

Apart from Shiva and Shakti, the temple also has idols of other popular gods in the Hindu pantheon including Ganesha, Surya, Vishnu and Mother Goddess. Temple materials and idols can be found scattered near this very rare octagonal shaped temple.



Experts believe that the temple was built during the Shaka Era. Interestingly, the present caretaker of the temple is Muslim, yet another example of the religious harmony same as we can see in Amarnath yatra.

Museum :

Various steps have been taken to improve the area in recent times. Of great interest is the museum built halfway up the hill on a small peak by itself. This museum, being new, is a small island of excellence, a clean, sparkling building with the paint still fresh on its walls. It has one big hall and an additional smaller room. The big hall has a collection of various statues and rock carvings mostly dating to the 6th and 7th centuries AD. It contains figures of religious significance drawn through the ages. The sculptures are well labeled but need more exhaustive descriptions regarding the significance of the exhibits. The smaller room has a large number of photographs of the rock paintings of the stone age period found in and around Karar village in the Kaimur Hills. Due to lack of space, some rock sculptures are languishing in the open space encircling the museum.

Festivals :

The temple attracts devotees during festivals like Ramnavami and Shivratri. People from these districts flock to the temple regularly all round the year. Of particular significance is the period of Navratra when thousands of people from the Rohtas, Gaya, Aurangabad, Bhojpur, Varanasi, Mirazpur and surrounding districts of Bihar and Uttar Pradesh districts come to the temple and a mela is held. During this period, the temple and the area around the hill is a riot of colour.



The guest house at the base of the hill, the concrete road up the hill, the sodium vapour lamps lighting up the temple and the hill road in the night and the market complex built for the mela have brightened up the whole environment recently.

Websites :

http://www.hindu-blog.com/2008/01/mundeshwari-temple-in-bihar-is-it.html

http://www.dailypioneer.com/297555/Unknown-wonders-of-Eastern-India-Mundeswari-Temple.html

http://picasaweb.google.com/arusinha/Mundeshwari#

Maa Tara Tarini Temple

Name : Maa Tara Tarini Temple

Location :

It is situated on Taratirini hill near Purushottampur which is at a distance of 40 km. from Berhampur in Orissa. The Tara-Tarini Hill ,a part of the Kumari Hills on the blanks of Rushikulya river.

Legends :

According to the Mythological Puranas the origin of Maa Taratarini is directly attributed to Daksha Prajapati’s Jagna in Satya Yuga. The famous Shakta Peethas of Bimala, Tara-Tarini, Dakshina Kalika and Kamakshi originated from the limbs of the divine Corpse of Devi Sati. Mythological sacred texts like the Shiva Purana, the Kalika Purana, the Devi Bhagabat (a contemporary text of the Mahabharata written by Shri Vyasa Dev around 6000 years ago) attest this fact.

It is known from the Mahabharata that before the commencement of the Mahabharata war Lord Srikrishna had advised Arjuna to offer prayer for victory at Shridevi kupa or Bhadrakali. Bhadrakali originated from the limbs of Sati like the other four major Shakti Peethas, which existed during the time of the Mahabharata or around 6000 years ago. This is the oldest data/information we get till date, regarding the existence of the Shrines originated from the limbs of the divine Corpse of Devi Sati.

Buddhist Legend :

According to the texts of Mahayana Buddhists, in the initial days, the Buddhists didn’t believe in the worship of Goddesses or in Pratimapuja (Idol Worship). But, the ecclesiastical texts of Mahayana’s reveal that from 1st century AD after the fall of Kalinga, for the first time the Mahayana Buddhists accepted the worship of Mother Goddess ‘Tara’. So there is seldom any doubt that the Buddhists have learned the ‘Tara’ Puja concept from this Shrine. The Bouddha Tantrik texts, texts of Vajrajani sect and Hindu Tantrik texts also attest these facts. Scholars believe that in the primary days the Buddhists worshiped Taratarini, the principal seat of Tantrik sect in Hinduism at that time, as Bouddha Tara, and later on included ‘Tara’ as the Tantrik deity or spouse of bodhisattva Avalokiteshvara in their belief system. Gradually this ‘Tara’ worship spread to different parts of the world.

the primordial deity of the Mahayana Buddhist sect at Tara-Tarini Hill and Tara-Tarini as a famous Buddhist Tantra Pitha.

According to folk lore, it is around 8th Century AD when Jagadguru Sankaracharya toured the whole country, that he discovered this Shrine. But, it did not exist in its present form. After long try he came to know that this ancient Shakti centre was under the control of Buddhist tantrikas. Then he released this Peetha from the control of Bouddha tantrikas and handed it over to Hindus.

The History of Tara Tarini Hill Shrine (Kalyan Dham) :

It is known from the available sources that till 17th century this place was out of the sight of the common man. But, according to a folk story once Maa Taratarini appeared as two sisters in the house of Shri Basu Praharaj. He was a learned Brahmin of Kharida Vira Jagannathpur village in Ganjam District and one of the great devotees of the Mother Goddess but child less. After staying for some years one day both the sisters disappeared suddenly from the house of Basu Praharaj and according to the account of the villagers both the sisters traveled up to the Tarini Parvat/ Ratnagiri and disappeared there.

On that night he saw a dream where the Goddesses Tara and Tarini informed Basu Praharaj that actually they were not his daughters; but they are the Adi Shakti, Goddesses Tara and Tarini. The Goddesses ordered Basu to come out of the grief and said that the time has arrived and with full devotion renovate the temple on the Hill Top of Tarini Parvat and establish the deities according to the Vedic tradition.

Description :

The Twin Goddesses Tara and Tarini are worshiped as manifestations of Adi Shakti. The Taratarini Hill Shrine is one of the oldest pilgrimage centers of Mother Goddess and is one amongst the four major ancient Shakti Peethas in India.

The height of the hill is approximately 708ft. The picturesque scenery of the temple, from the hilltop down to the bank of river Rushikulya provides immense pleasure and a thrilling experience of nature and divinity to each pilgrim and often captivates the heart and soul. There are 999 steps on the front side of the hill leading to the temple and also a pucca road for vehicles behind the hill facilitating devotees to reach the Pitha. Provisions of electricity, drinking water and a small market complex at the site with articles of puja /archana are additional features of this Pitha.



The mythological texts recognize four major Shakti Peethas,i.e. Tara Tarini (Stana Khanda)near Berhampur, Bimala (Pada Khanda) inside the [[Jagannath Temple (Puri),Kamakshi (Yoni khanda) near Guwahati and Dakhina Kalika (Mukha khanda) in Kolkata among the 4 Adi Shakti Peeths. Apart from these, there are other 52 other sacred Shakti Peethas, which originated from the limbs of the corpse of Mata Sati in the Satya Yuga.

Four Adi Shakti Peethas

The great religious texts like the Shiva Purana, the Kalika Purana, the Devi Bhagabat and the AstaShakti recognize four major Shakti Peethas (centers), like Bimala (Pada Khanda), Tara Tarini (Stana Khanda,Breasts)(Near Berhampur, Orissa), Kamakshi (Yoni khanda)(Near Gowhati, Assam) and Dakhina Kalika (Mukha khanda) (Kolkata, West Bengal) originated from the limbs of the Corpse of Mata Sati. The Astashakti and Kalika Purana clearly says (IN SANSKRIT)

So, there is absolutely no dispute regarding these four famous Adi Peethas. Apart from these four there are 52 other famous Peethas recognised by religious Texts. According to the Pithanirnaya Tantra the 52 peethas are scattered all over India, Sri Lanka, Bangladesh, Nepal, Tibet and Pakistan. The Shivacharita besides listing 52 maha-peethas, speaks about 26 more upa-peethas. The Bengali almanac, Vishuddha Siddhanta Panjika too describes the 52 peethas.

Festivals :

1. The Sankranti Mela: Every month on Sankranti day. This festival is observed on each Sankranti day of the Hindu month. This day is considered to be very auspicious for Tantra Sadhakas. The important features of the festival are as follows:
(a) The temple opens for Darshan of the deities from 5.30 AM till 10.00 PM without Pahada during the day.
(b) Baja Pratima (Chalnti Pratima) of the deities are put on the Bije Pithastal located near the temple gate.
(c) Puja and offerings to the deities are offered to the Bije Pratima as no offerings are allowed within the Garbha Griha during this occasion. However the devotes can contain the darshan of the deties in the Garbha Griha.
(d) Megha Snana, Chandipatha and Homa are the special activities conducted in the Grabha Griha and the side pedestal of the Garbha Griha by the temple Purohit.
(e) Special Khechudi Bhoga is supplied to the devotees on receipt per packet. This Bhoga is prepared and sold by the Temple Trust.

2. Dola Purnima (Phalguna Purnima) during February / March.

3. Chaitra Parba: One each Tuesday on the month of chaitra i.e.during March/April as per Calendar.

This festival is the most significant amongst all, celebrated at the Tara Tarini Pitha. It is observed during each Tuesday of the month of Chaitra. Significant features of the festival are as follows;
(a) The temple remains open for the Darshan of the deities from 5 AM till 11 PM. Pahada of the deities is confined to night time only.
(b) Devotees in large numbers congregate at the up-hill and downhill temple complex from Monday night.
(c) 2nd & 3rd Tuesday of the Chaitra is considered to be most auspicious days. Therefore large numbers of devotees congregate during these days.
(d) Puja and offering by the devotees are offered to the Chalanti Pratima of deities placed at the Bije Pitha for the Bije Pratima. However Darshan of the deities in Garbha Griha is allowed.
(e) Special arrangements for hair offering are made. 250 barbers at the top hill and 500 barbers at the down hill at the barber shed are engaged to help their hair offering of their children and other devotees. Hair offering continues from mid-night on Monday till 6 PM of Tuesday.
(f) Special Khechudi Bhoga is supplied to the devotees from Monday mid-night till 6 PM of Tuesday evening.
4. Basantika Parba: During the month chaitra i.e. March / April.
5. Chitalagi Amabasya i.e. Srabana Amabasya during July / August.
6. Gamha Purnima (Shrabana Purnima ) during July /August.
7. Saptapuri Amabasya during the month of Bhadraba during August.
8. Saradiya Parba on the month of Ashwina Mulastami to Dushara during September / October .
9. Dipabali or Shyamakali Puja: on Kartika Amabasya during Sept /Nov.

Website :

http://en.wikipedia.org/wiki/Maa_Taratarini_Temple

http://www.indianetzone.com/4/taratarini_temple_purshottampur.htm

http://taratarinitemple.blogspot.com/