The Silver Temple (Ridi Vihara), Sri Lanka

Name : The Silver Temple (Ridi Vihara), Sri Lanka

Location :

The Ridi Viharaya is a temple situated atop a hill at Ridigama (Silver village), a village 13 miles away from Kurunegala.


Description :

It is a cave temple with many interesting legends surrounding it, and is visited by Buddhists, Hindus and Christians.

Accidental Silver to finance the Ruwanweliseya Stupa
Ridi Vihara was built by the hero of the nation, King Dutugamunu who reigned in the 2nd century BC. The king lacked the funds to complete the great Ruwanweliseya Stupa (Ruwan Weli Saya dagoba) at Anuradhapura until the discovery of a rich vein of silver at the village now known as Ridigma. The new found wealth having allowed the illustrious king to carry on with his masterpiece, the king expressed his gratitude by creating a cave temple at the location of the silver ore.

Jackfruit treat temple
At the entrance to the cave temple, just before the main body of the temple lies the Varaka Valandu Vihara (Jackfruit treat temple), an exquisite little temple, which dates from around the eleventh century. Built right up against a small rock outcrop, it is dedicated to the guardian of the mountain on which the Ridi Vihara is located. The bases of the pillars are decorated with figures-a man with a spear, another with a bow & arrow-while inside the tiny shrine sits a small yellow Buddha statue & a few simple Kandyan-era paintings. When you are on the tour with us, we will, of course narrate the story of the jackfruit treat: how the temple got its name. And on tour in Sri Lanka you will be having tender Jackfruit spicy curry (Polos), ripe Jackfruit curry in sauce of coconut milk (Kiri cos) & ripe & juicyJackfruit (Varaka) as a fruit. Tropical Jackfruit, one of the largest fruits in the world, is a many splendoured love in Sri Lanka

The main rock-cut temple, Lower Temple
Beyond here, you pass through a wooden entrance pavilion (an old wooden palanquin hangs from the roof) and cross a small courtyard painted in harmonious pastel colours to reach the main rock-cut temple, the Pahala Vihara (Lower temple). Gold plated Buddha statue attributed to King Dutugamunu is kept securely inside a special case.

Pancha Nari Gataya (The knot of five maidens) in the lower temple.
To the right of the entrance to the lower temple is an exquisite ivory carving of a vase. At the close range the vase blooms into a figure of five entwined maidens.

Blue & White Dutch wall tiles of Biblical stories in the lower temple
The temple's interior is surprisingly large; a veritable Aladdin's cave, its walls are covered in tessellated hundreds of Kandyan-era pictures of Buddha. A 9m recumbent Buddha rests on a platform, a flower altar decorated with a blue & white tiles that narrates Biblical stories, which were a gift from the Dutch envoy to King Kirti Sri Rajasinghe (1746-1778 AD). The king in return had gifted the tiles to the temple. Christianity being a non-violent religion, the Buddhist spirit of tolerance of faiths would have spurred the Buddhist bhikkus (monks) to see the tiles with due admiration of their quality & artistry. Banishment of Adam & Eve from the Garden of Eden, the last supper, Mosses & the burning bush, prophets of yore, dove of peace, creation of man are some of the scenes depicted in the tiles.

Floor Tiles with Christian Stories

At the far end of cave stand from left to right statues of the Buddha, Avalokiteshvara (Natha), King Dutugamunu (the last is an extremely ancient statue date from Anuradhapura period), as well as a delicate reclining Buddha from Burma.

Reclining Buddha from Burma

Upper Temple
Behind the temple, steps lead up to the right to the Uda Vihara (Upper Temple) right behind. This eighteenth-century structure is attributed to King Kirti Sri Rajasinghe. The entrance consists of Kandyan-period moonstone & steps flanked by elephants. A series of Hindu deities & images of the Buddha are located herein.

The main image of Upper Temple
In the main chamber is an impressive seated Buddha (UdaVihara Buddha) set on a busy backdrop Makara Torana (Dragon Arch) of images of gods, devotees and Buddhas. Paintings of mythological animals and King Rawana too adorn the temple.





A trompe l' oeil Cobra House, next to the main chamber of Upper temple
Next door to the main chamber is the small "Cobra House". To the right of the entrance door is a painting of a formation of nine maidens-a trompe l' oeil which, as you walk backwards, magically transforms into the shape of an elephant. It's a clever visual trick designed by the fresco artists.

There are more Kandyan-era decorative murals of flowers & Buddha statues inside the Cobra House; behind it, a stupa sits almost completely covered under another part of the overhanging rock. These are the paintings of "Sarpenda" and "Vrushaba Kunjaraya" (the entwined heads of the bull and the elephant).

Artificial lake
There is an attractive artificial lake at the foot of the hills.

Ancient inscription
Outside the temple complex you can see an abandoned dagoba at the top of a smooth rocky outcrop. On the way up, to your right an ancient inscription in the stone that has been etched on King Dutugamunu's behalf.

Walk
An easy 10 minute walk starts to the right of this stupa passing a modern pavilion to an abandoned villa; nearby, on the top of the cliff, is a slab of rock which affords magnificent views of hills & valleys.

Websites :

http://www.mysrilankaholidays.com/silver-temple.html

Aukana Buddha Statue, Sri Lanka

Name :  Aukana Buddha Statue, Sri Lanka

Location :

The Aukana temple nearby ancient Kala Wewa rainwater reservoir, perched on a small hill at the edge of the jungle located some 30km northwest of Golden Dambulla Rock Templewith its massive stone-carved Buddha
The perfect & elegant 12m-high standing Buddha is adored all over the island to such an extent, that several full scale copies have been erected in the island: Colombo, Dondra, Ratnapura, and Trincomalee.

Description :

The statue was erected in the same period the second half of the 8th century AD, as those at Polonnaruwa's Gal Vihara & Lankatilaka Vihara as well as Buduruwagala & Maligawila all of which emphasis on Buddha's superhuman, transcendal powers.

Bless you
Unlike other great statues in the island which are carved in "Abhaya Mudra" (Have no fear), the Aukana statue is in the "Asisa Mudra", the blessing position, with the right hand turned sideways to the viewer. The figure is carved in the round, narrowly connected at the rear to the rock.

The perfect Buddha statue
Carved out of the living rock with supreme assurance, Aukana Buddha is a magnificent image. His expression is serene & from his curled hair there sprouts the flame called siraspata signifying the power of supreme enlightenment. Although the statue is large & stands straight up with feet firmly planted on the lotus stone pedestal, the body retains a graceful quality enhanced by beautifully flowing drapery clinging to the body.

The sculpture in proportion
Aukana Buddha statue is carved alone the proportion of nine faces: the body height is nine times the length of the face. The proportion of nine faces is the iconometry followed by the sculptors in the eight century AC of Sri Lanka.

Sirasapata
Sirasapata is the symbol placed on the top of the Buddha images in Sri Lanka. The sirasapata found on the head of Aukana Buddha statue is believed to be a modern addition in the year 1870. The discovery of a fragment of a sirasapata in the premises of the site suggests there had been a sirasapata on the head of the statue nearly a century before 1870. This turn of events have lead to study whether sirasapata had existed from the very beginning in the 8th century AD. According to the Buddhist literature sirasapata have existed in the all four previous Buddhas. Introduction and existence of sirasapata have been consistent in Sri Lanka since second half of the fifth century A.D. with several exceptions. Hence it is believed Aukana Buddha statue too was adorned with a sirasapata.

Drapery
Drapery, the art of draping the statues in folds is prominent in the Aukana Buddha statue. The robe in single groves is draped over the left shoulder to fall over the left shoulder up to the ankle. The right shoulder is left bare.

Pedestal
Aukana Buddha statuestand on a pedestal, the front of which is carved off a slab off stone in the form of a double petal lotus flower called Padmasana meaning the Lotus seat.

The tallest (Ancient) Buddha statue in the world
The magnificent free-standing statue carved out of a single rock is the tallest Buddha statue in existence today. Following the destruction of similar but much larger statues at Bamiyan in Afghanistan, the Aukana Buddha has gained even greater significance in the Buddhist World.

The whole of cultured world was horrified at the savagery & barbarity inflicted upon the colossal Bamian Buddha statues carved from the cliffs that dominate the dusty plains in the heart of Hindu Kush which have watched serenely for 15 centuries as the fortunes of the city beneath them waned from Silk Road metropolis to remote Afghan backwater.

In honour of the destroyed & in defiance of intolerant, China quietly goes with its own form of defiance: in their territory, carving, sculpting, erecting two statues similar in every conceivable way, to the two Buddha Statues destroyed by Taliban. In the ancient times Bamiyan, the region where Mahayana Buddhism originated, was known as Vokkana or Avakana. Do we have a clue to the name Aukana? In Sinhalese there is no such word as Aukana meaning sun eating as erroneously proclaimed.

Best time to see :

The best time to see the magnificent statue is at the crack of dawn when the first rays of sun light up the east-facing statue's finely carved features.

Websites :

http://www.lanka.com/sri-lanka/aukana-buddha-statue-933.html

http://www.mysrilankaholidays.com/aukana-buddha-statue.html

Keeri Malai

Name : Keerimalai

Location :

Keerimalai is a town in the Valikaamam North division of Jaffna District, Sri Lanka and situated West of Palaly. Naguleswaram temple is located in this suburb also a mineral water spring called Keerimalai Springs reputed for its curative properties. In Tamil Keerimalai means Mongoose-Hill.

Legend :

The stories associate the place with a sage called Nakula Muni. He was called by that name because he had a face of a mongoose. Nagula in Sanskrit means a mongoose. He was relieved of his curse and acquired a human face after taking bath in the natural springs at this place. He made the place as his abode and hence it became Keerimalai. Keeri is the Tamil synonym for nagula, meaning a mongoose.

The Siva temple established by this sage at this place was named Nakulesvaram, which according to the chronicles of Jaffna, is one of earliest in Sri Lanka, existed prior to the arrival of Vijaya of the Pali chronicles.

The stories continue to say that later, a Chola princess was also relieved of her curse of having a horse-like face by taking bath in the springs.

These myths found place in written literature at a later time.

Nakulisa or Lakulisa was the first preceptor of the Pasupata school of Saivism, which was the earliest among the sects of Saivism.

The word pasupata should be pronounced as paa'supatha. Originating from Gujarat, the sect spread across the sub-continent and even beyond in historical times. The sect doesn’t exist today.

The priority given to Guru (preceptor and initiator) in the fundamentals of Saiva Siddhanta (Guru, Linga, Sangama) and the idea that a Guru is Siva himself originated from the Pasupata teachings.

The iconographic representations of Lukulisa which was synthesized with Buddha in his teaching position in some parts of South Asia, was synthesized into Siva in the form of a teacher (Thadchanaamoorthi) in South India.

Thirumoolar, an early saint of Tamil Saivism, is regarded as one who had come from the lineage of Pasupata preceptors.

In all probability, it was one such Pasupata preceptor or a group of Pasupatas who had come to Keerimalai and made an establishment there. The present temple, Nakuleasvaram, at Keerimalai is a recent structure. There is a strong possibility that the original temple was a samaadhi temple (a burial or memorial temple). The Pasupatas were largely known to officiate in such temples built for preceptors or rulers.



There is yet another possibility for the origins of the name Keerimalai. As a limestone cliff, it can also mean ‘the white hill’. Keeram is milk according to the lexicons, Thivaakaram, Pingkalam and Choodaama’ni. The cognate in Sinhala is Kiri.

Description :

The Pasupata establishment at Keerimalai might have succeeded by a Veerasaiva one, probably in the times of the Vijayanagara Empire. Such transitions smoothly took place elsewhere too, because both Pasupatam and Veerasaivam were non-Brahmanic traditions.

Today, Keerimalai is an important centre of the Veerasaivas, who probably had come from Karnataka. Until recent times, the old generation of them was retaining a code-language, with traces of Kannada vocabulary, to speak among them, without being understood by others.

“Keerimalai” is 50 feet above the main sea level. The fresh water comes from an underground fresh water spring. Keerimalai is a pilgrim centre and is considered a sacred place to perform rituals to ancestors.

“Nagulaambigai Sametha Sri naguleswara Perumaan” temple (commonly known as “Naguleswaram” temple) spreads to 50,000 square feet. “Naguleswaram” temple is one of the hallowed Sivan temples (Pancha Ishwaram) in Sri Lanka is situated here as well. Lord Siva is the destroyer or transformer. He is viewed as the supreme deity in Hinduism. There are five famous Ishwaram~ Sivan temples in Sri Lanka. They are Thirukoneswaram in trincomalee, Thiruketheeswaram in Mannar, Naguleswaram in Jaffna, Munneswaram in Chilaw and Kokkattichcholai Thaanthondreeswaram in Batticaloa.

Naguleswaram temple is endowed with special three attributes such as Moorthy (deity), Thalam (temple) and Theerththam (water). This temple has the Biggest Linga in Srilanka, The SahasraLinga (Linga with 1000lingas in it).



The old “Naguleswaram” temple was destroyed by the Portugese in 1621. A Brahmin priest, who fled the area during the Portugese regime, took the valuables from the temple, put and preserved them in a well according to Yaazhpaana Vaipava Maalai.

In 1878, Hindu reformer Sreelasri Aarumuga Naavalar campaigned to rebuild the temple. After 17 years, the consecration ceremony took place at “Naguleswaram”. But, due to an accidental fire in 1918, the temple was severely damaged. The current temple is being renovated, and nearly 70% of the construction work is completed so far.

The Keerimalai springs are not warm like those in Kanniya (near Trinconamalee), but they are as big as a swimming pool. It’s very nice, if you get there before the back-flipping kids.

Festivals :

Hindus flock in large numbers on “Aadi Amaavaasai” day which falls during the Tamil month of “Aadi”, to carry out rituals for their forefathers and take a divine dip in the natural springs. These rituals are usually carried out by men. “Keerimalai” is famous for “Aadi Amaavaasai” and continues to be the foremost place.

Websites :

http://passionparade.blogspot.com/

http://www.sathesan.com/articles/21/1/Keerimalai/Page1.html

Koneswaram - Thirukkonamalai [Sri lanka]

Name : Shankari Devi & Trikoneswara Temple

Location :
Along with the temple of Shaankari Devi, there is a temple of Lord Shiva – TRIKONESHWARA Temple. The temple is located on the North Eastern coast of Sri Lanka in a city that is presently known as Trincomalee (a vulgarized form of Thirukkonamalai). The city is well connected by roads. The temple itself is reached by a rigorous hike up the Konamalai. Vehicles can also drive up to the very door step of the temple. The place is as much Tamil as any temple in Tamil Nadu, with even the priests and commoners speaking the language, which is a great convenience.

Legends :

It is but a well known fact that there are a number of holy places referred to as the Shakthi Peethas where the Mother has manifested herself in various forms to offer protection and happiness to all her devotees who take refuge in her. As I have written earlier, these places were chosen by the goddess herself, for these were the spots where many of her Angas (body parts) fell when they were cut off the body of the burnt Dakshayani by Vishnu’s Sudarshana Chakra (See Daksha’s Yagna). However, there is much confusion and controversy over the number of these Shakthi Peethas and their specific locations. Some mention them to be 51 (Panchasat Shakthi Peethas) in number while others say that there are 18, still others maintaining that there are just 4 Adi Shakthi Peethas.

Turning to literary evidence, one of the most authoritative works that we can lay our hands upon is the AshtaDasaShakthiPeetha Shloka by Shankara himself. Starting with the verses “Lankaayam Shankari Devi”, Shankara details the locations and the names of 18 Shakthi Peethas strewn across the body of the subcontinent. The first amongst them is what he mentions as the Peetha of Shankari Devi in Lanka. This is believed to be the spot where the groin of Sati Devi is said to have fallen and is exalted as one of the most sacred spots in Sri Lanka.

1) Ravana Legend :

Long long ago, in the Tretha Yuga, Parvathi was suddenly hit with a strong desire. She wanted a house, a large palatial mansion, where she could live happily with Shiva and her children, Heyrambha and Skanda. Coyly, she approached Shiva. “Swami, I have one request to make of you” she said, her head hanging down with shyness.

Shiva smiled his all-knowing bubbly smile. “Devi, you know full well the repercussions of your previous request to me. But still, you have a desire. Speak away.”

“I want a house Swami. I want to live in a lovely mansion, attended by Yoginis and playing with our children. Please grant me this wish” said Parvathi.

Shiva laughed. “Shakthi, who are you speaking to? Have you forgotten that you are talking to me, who is extolled as the yogi of yogis, who has achieved supreme control over his senses and who sees no difference between the luxurious and the mundane.”

“I fully understand Swami, but it is you who does not understand my intentions for the goodness of this world. I want a house and I want it now.” said Shakthi with a hint of finality.

Shiva realized the thought behind Shakthi’s request and finally he gave his assent. Waving his hands in front of him he said, “Vishwakarma, I am in need of your help”. Lo, before him stood the Devaloka Architect, with a chisel in one hand and a hammer in the other. He bowed to the divine couple and awaited his instructions.

“Vishwakarma, build me the best palace ever seen in this world so that Uma can have her desire satisfied.” intoned Shiva.

In an instant Vishwakarma flew southwards and chose a beautiful spot on the island of Lanka. There he raised a magnificent structure, gleaming with gold and gems, cooled with water fountains and filled with the smell of any divine flowers in the garden, a palace that befit to be the residence of the Mother of the three worlds.

Parvathi was extremely pleased with the outcome and wanted to perform the Griha Pravesha of this beautiful palace with the help of the best of the Brahmanas. Shiva and Shakthi came down to Lanka to find a suitable brahmana for the Grihapravesha. It was then that the distant but powerful chant of “Om Namah Shivaya” reached their ears. Following the divine sound they came to a place where they beheld a ten-headed man, performing austere tapasya invoking Shiva. Shiva smiled at Shakthi and then spoke out.

“Ravana, you have achieved the purpose of your tapas. So strong was your tapa that it not only drew me to you but also attracted Shakthi along with me to the place of your penance. You will achieve all that you desire.” he blessed.

Realising that Ravana was the son of the great saint Vishravas and very well versed on all the four Vedas, Parvathi is suddenly sure that he would be the right brahmana to perform the Grihapravesha to her house. Ravana gladly accepts the invitation and sets a date for the auspicious entry into the palace (Ravana is believed to have been an authority in Astrology too and is said to have authored a separate book on Astrology titled Ravana Samhita)

On the prescribed date, Ravana performed the ceremony with much grandeur and splendor with the correct usage of all the mantras and shlokas. Shiva and Parvathi entered their mansion and added further sanctity to the spot. Parvathi was extremely pleased with Ravana’s prowess in the Vedas and offered him any boon that he wanted as dakshina for performing the ceremonies.

Shiva, however laughed silently besides Parvathi. “It is not proper for a Brahmana to ask what he wants for dakshina. He should be pleased with what the Yajamana or Yajamani gives him. However, as Shakthi herself offered you the boon, you may ask whatever you please.”

Ravana smiled at the couple and realized suddenly what he wanted. He had fallen in love with the palace itself. He had admired every piece of woodwork, every carving and every room that had been designed by Vishwakarma. “Jaganmata, I would like this house of yours in return for my ceremonies.” He asked.

Parvathi smiled at the play of fate and granted him his wish. Ravana was thrilled but at the same time guilt rattled him. He felt ashamed at robbing Parvathi of her house. “Devi,” he exclaimed, “do continue to live in Lanka as long as you please. This land is but equivalent to one speck of dust on your feet. Please give your consent to stay here and bless this land forever.”

Parvathi smiled again. “Ravana, I accept your invitation. My shakthi will always pervade this place. But on one condition- I will go away from the island the moment you disobey any of my commands.” Ravana agreed to her condition and with one last Tathastu, Parvathi returned to Kailasha.

Ravana built a gigantic temple, replete with architectural details, dedicated to the goddess Shankari Devi. The temple was located on the top a cliff that fell sharply into the magnificent sea below. Around the temple, Ravana set up a beautiful garden, one of the best in all of Lanka. The goddess smiled on the people of Lanka and the kingdom prospered.

Trouble began when Ravana, overcome by carnal desire, kidnapped Seetha and brought her to Lanka. Shankari devi was angered by this base action of Ravana. She asked him to leave Seetha and return her to Rama. But lust clung to Ravana like a leech and he did not obey Devi’s advice. Highly disappointed, Shankari left the island country and with her left all the peace and prosperity of the kingdom.

We are of course familiar with the remainder of the story detailing the Rama-Ravana war and the subsequent defeat of Ravana. When Vibheeshana was crowned by Rama as the emperor of Lanka, he prayed that Shankari devi once again take residence in the island nation. Shankari Devi accepted his prayers and re entered her temple, bringing glory to Lanka again.

2) Adisesha Legend :

When this universe was born, Parameshwara had delegated various tasks to various gods and demigods and blessed them with the required powers. Adisesha was assigned with the duty of holding up the earth, steadily until the next Mahapralaya. Having heard about this Vayu, the wind god, was furious. “Sesha”, he taunted, “how can you, who is afraid of Garuda, be the perfect choice to hold up this earth”. Adisesha was livid. “I live just by eating you, oh Wind. I am much stronger than you are” he slashed back. Blinded by fury, they attacked each other. Adisesha coiled himself around Kailasha and sneered at Vayu. “If you are as powerful as you say, try blowing away one peak of this great mountain”. Vayu turned into a hurricane and attacked Kailasha. The worlds trembled at the force of this combat and the devas yearned for refuge at Shiva’s feet. Shiva then ordered Brahma to create another Kailasha to the south and then descended with Parvathi to reside at the Southern Kailasha.

“Adisesha,” said Shiva. “All this is another play of mine. I have decided to protect the people of Bharatha Khanda from the south too. This war of yours will end just as successfully in my favour. Listen to me.” Adisesha lifted three of his thousand hoods to look and listen to the lord. At that instant, Vayu broke away three peaks from Kailasa. By Parameshwara’s orders he placed these three in Thondai naadu (ThiruKaalahasthi), Chozha Naadu (Thirichirapalli {See Thayumanavar}) and in Eezha Naadu (Thirukkonamalai, Lanka) respectively. The third hill came to be known as Thirukkonamalai and lies along the same longitude as Kailasha, thus earning the name Dakshina Kailasha. This was where the famed Shankari Devi temple was located.

For those of you who did notice the past tense in the last sentence, it was not a mistake. Sadly, the temple no longer exists. All that remains of the magnificent temple, that was lovingly build by Ravana, is but one pillar.

3) Kethu Legend :

Foraging around for legends, we came across a few that were vital to the temple. The Asura, Kethu, stealthily swallowed a portion of the Divine Nectar obtained by churning the Ocean of Milk, which would confer immortality on him alone. Vishnu beheaded him and Kethu wandered headless until Brahma took pity on him and transformed him into the planets Rahu and Kethu. Restless with the burden of sin, Kethu came to Ketheeswaram, propitiated Lord Siva and obtained moksha. Thus the place came to be known as Tiru — Kethu — eeswaram.

The other legends of Linga and Macchendira Malai Legend are detailed in the blog post http://kshetrapuranas.wordpress.com/2010/12/05/grandeur-lost-the-story-of-lankas-lone-shakthi-peetha-thirukkonamalai-sri-lanka/

Description :

Built atop Swami Rock, a rocky promontory overlooking the Trincomalee harbor, the temple has lay in ruins, been restored, renovated and enlarged by various royals and devotees throughout its history.



Koneswaram is heralded as a grand seat of Shiva worship in the 6th-7th century CE Tamil hymn canon Tevaram. Its bronze idols date from the 10th century CE and reflect the high points of Chola art. The temple has been administered and frequented by Tamil Hindus and is located in Trinconamalee, a classical period port town with a mixed Sinhala, Tamil and Muslim population.

Koneswaram was developed in the post classical era, between 300 CE and 1600 CE by kings of the Pandyan and Chola empires as well as local Vannimai feudal chiefs with decorations and structural additions such as its thousand pillared hall furnished by kings of the Pallava dynasty and the Jaffna kingdom.



In 1624 CE, the Koneswaram temple was largely destroyed by Portuguese colonials. Hindus built a successor temple at a nearby site in 1632 CE - the Ati Konanayakar temple in Tampalakamam - to house some of the destroyed temple's idols, where they are still worshipped. In the 1950s, the ruins of the original temple were discovered underwater beside Swami Rock. It was rebuilt of much more modest dimensions at its original site by local Hindu Tamils 450 years after its destruction.

Sinhalese Buddhists have claimed that the Tirukoneswaram temple was originally exclusively a Buddhist temple. They cite and interpret historical information of three Pagodas at the Koneswaram site as alluding to Buddhist temples. Buddhists have also claimed that the site was the location of the ancient Gokanna Vihara built by King Mahasena.

Solitary Pillar :

The recently recovered Panchaloha idols are worshipped in the Vasantha Mandapam. There is a separate smaller temple dedicated to the goddess worshipped as Mathumai Ambal. Though many pilgrims worship her as Shankari Devi, the Peetha Nayaki of the Shankari Shakthi Peetha, she is not the ancient Shankari devi who was worshipped by Ravana and Shankara to whom the grandest temple on Lanka was built.



The form of Shankari devi as described in the Dhyana shloka does not match the divine form of Mathumai Ambal. The original idol is lost forever. People worship the lone pillar standing at the summit of the hill as the only remnant of the grand Shankari temple. Many believe that the pillar itself marks the exact position of the Shakthi peetha though this is a debatable topic.

Mavaliganga Theertha :

The temple theertha, the Mavaliganga, bubbles up from a well at the western portion of the hill, circumambulates the hill and empties into the Indian Ocean. It is believed that when Parvathi once examined Shiva’s matted locks, she caught sight of a woman’s face for a fleeting second. The terrified Ganga froze into and ice drop which was covertly scooped up and dropped into the sea by Shiva. It is believed that it is she who wells up in the Sivanolipadam hills on northern Lanka, flowing towards Thirukkonamalai as Mahabaliganga, towards Ketheeswaram (the only other Paadal Petra Thalam in Lanka) as Manikka Ganga and towards Kathirgama as Kaveri Ganga.

Bilva Tree :

The temple offers a spectacular vista of the calm Indian ocean stretching out for miles. By the edge of the cliff, stands an ancient Bilva tree, under which Sri Rama is said to have meditated.



Nearby Attractions :



The Kannyayi Hot Springs :

Among the sights of the place are the seven hot springs of Kanniyayi, on the road to Trincomalee. About a mile on a side road branching from the main route, the springs are worth a visit. A high wall assembles all the seven springs in a rectangular enclosure. Each enclosed in a dwarf wall forms a well of its own. The water is mildly hot; the temperature varies but slightly in each. In effect, a public bathing resort, the use of the springs is controlled by the neighboring Mari Amman Kovil who holds the lease of the wells. People believe that bathing in these well will refesh themselves.

Festival :

Workers of the Sri Lanka Port Authority in Trincomalee will be holding the ‘Theppath Thiruvilazh’ (Boat Festival) as usual this year also on 13 April in the Dutch Bay Sea. Lord Konesar, chief deity of the temple with his consort Mathumai Ambal will be taken in boat around the temple from the Swami Rock via Back Bay Sea to the Dutch Bay Sea. Religious discourses and cultural items will take place throughout the night of 13 April in the Dutch Bay sea beach. Thereafter the deity will be taken to the temple next day early morning by road through the Fort Frederick entrance, the sources said.

Pathirakali Ambal Temple and some other Hindu Temples are holding their water-cutting festivals in the Back Bay Sea for several centuries.

Websites :

http://kshetrapuranas.wordpress.com/2010/12/05/grandeur-lost-the-story-of-lankas-lone-shakthi-peetha-thirukkonamalai-sri-lanka/

http://en.wikipedia.org/wiki/Koneswaram_temple

http://kataragama.org/sacred/koneswaram.htm

http://www.hinduonnet.com/thehindu/fr/2003/01/10/stories/2003011001480800.htm

Sri Pada - SriLanka

Name : Sri Pada ( Footprint of God)

Location: Sri Lanka

Importance : Sri Pada is the only mountain in the world sacred to four major religious groups. Oddly enough, it also happens to be nestled in Sri Lanka, a country ravaged by civil war for the past 20-plus years.

Description : Sri Pada is a modest, cone-shaped peak on an island in the Indian Ocean. At the top of the mountain, you’ll find a 1,600-square-foot platform on which there’s a depression the shape of a human foot—a very large foot, about 1 yard wide and nearly 2 yards long. (See how carefully we avoided measuring the foot in “feet?”)

Buddhists believe the footprint to be Buddha’s.

Hindus celebrate it as Footprint of Shiva.

Christians claim St. Thomas left it there before he ascended into heaven.

Muslims believe Adam made it after he descended from heaven (hence the mountain’s nickname, Adam’s Peak).



The Mountain is second highest in SriLanka. Hundreds of thousands of travelers of all religious stripes make the pilgrimage up the mountain each year. The climb up Sri Pada, which can take three to four hours, is marked by crumbling steps (around 5000), hundreds of colorful butterflies, lots of leeches in the surrounding forests, and tea houses for breaks along the way. In some places, there are iron chains to help out climbers who wish to pull themselves up.

It’s said that Alexander the Great left them behind when he visited the site in 324 BCE. There’s no record regarding who Alexander believed created the footprint, but if we had to take a guess, we think he probably told people that it was his own.

On a full moon day (a Buddhist holy day called “poya”) the climb would take us 6 hours with all of crowd people mulling about. It is beautifull to catch the view of Sunrise from the top of this mountain.

Website : http://www.mentalfloss.com/blogs/archives/10620


http://www.toddswanderings.com/2008/06/where-butterflies-go-to-die.html